Although the story behind how Aliou Touré, Garba Touré, Oumar Touré and Nathaneal Dembélé became Songhoy Blues is not all roses — they were forced to fled to the capital Bamako after northern Mali was occupied by jihadists — their music is everything but sorrowful. A sold-out Roundhouse could not stop smiling to the mesmerising and joyous beats.
The kind of blues they play is colorful and cheerful, one you can dance along to — and vocalist Aliou Touré succeed in making everyone move by leading the crowd with his stunning dance moves. His enthusiasm is contagious; the stage his natural habitat.
However, from time to time Guitarist Garba Touré stole the scene with superlative Hendrix-like solos that left everyone astonished. Truth is, each member of the band is extremely talented and collectively they show their best when weaving together the sounds of each of their instruments.
The quartet performed as the last act of a longer show that took over the Roundhouse from 5 to 11pm. The night, billed Music in Exile, also featured performances by fellow Malians Blick Bassy, United Vibrations, Dave Okumu (The Invisible) and Fatoumata Diawara, the Ivory Coast-born Malian musician and actress, known for her sensuous high-pitched voice.
Fatoumata has remarkable energy. She sang, played, danced, and fired up the crowd before Songhoy took her place on stage. She returned later on, however, to help the boys perform their final song, in what turned out to be one of the best moments of the entire night.
That’s the power of music, as Aliou Touré stressed over and over during the exhibition: to bring people together in a joyous dance.
Friday The site was nicely spread out, but unlike mega festivals, walking from one side to another did not diminish too much energy or take too long. Unfortunately, the festival’s app didn’t want to show me the 2018 line-up – it instead rubbed in the fact that A Tribe Called…
It was another triumphant weekend at Walthamstow Garden Party. Sunbathing in glorious weather and indulging in radiant notes played by brilliant musicians, we enjoyed every minute of it. From its debut, basking in Saturday’s early afternoon heat with London African Gospel Choir and their rendition of Paul Simon’s Graceland, until Sunday…
A one-off performance for a one-off event. It doesn’t happen too often that we get to enjoy a Fatoumata Diawara gig in London, but on the rare occasions when the Malian musician visits the British capital, her shows are always hard-to-forget experiences. That’s how it went on the 26th of…
We’ve partnered with Groovalizacion Radio to bring you a monthly collection of the best world music-related videos. That’s our way to give value to too often overlooked, rich and diverse artistic expressions. Listen with your eyes! Watch the full playlist:
Back in 2013, the story of Songhoy Blues made the headlines. After being forced to move to Bamako by a jihadist group that banned music in northern Mali, Garba Touré founded the band “to recreate that lost ambience of the north and make all the refugees relive those northern songs”….
If your music is strong enough to overcome religious fundamentalism and exile, how can a narrow-minded visa denial possibly harm it? That’s why Songhoy Blues, without their original bass player (who was stuck in Bamako because of an issue with his documents) performed a show to remember at Omeara. Introduced expertly,…
Songhoy Blues, the new Malian sensation, can no longer play in their native region because of the music ban imposed by jihadists back in 2012. Instead they have built an audience and reputation beyond Malian borders, becoming one of the most ambitious projects shaped on African soil. Their desert-rock/blues, which…
There are no comments
Add yours