Nomade Orquestra

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Nomade Orquestra came together in Sao Paolo in the year 2012, though they could just as easily have entered our world from a mystical land where spaced out jazz soundtracks daily life, such is their elusive, ethereal yet highly accomplished and deeply funky otherness.

Effortlessly weaving through the disparate sounds of Brazil’s diverse musical diaspora, the group go from funk and soul to afrobeat, Ethio-grooves, dub and hip hop, with a sound that remains firmly anchored in the world of jazz while taking off to the cosmic stratosphere.

Supporting will be one of the most important Brazilian DJs in Europe, Fabricio D.Vyzor. He always sets the mood right, having previously warmed up for artists like Sergio Mendes, Criolo and Mulatu Astatke.

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Album Review: Nomade Orquestra – Vox Populi Vol 1 / Vox Machina Vol 1 [June 2019 / October 2019]

A quartet that has since swollen into a decet from their beginnings in 2012, Brazilian band Nomade Orquestra musicians pride themselves on stretching far and beyond their jazz roots to create a sound that’s hard to pinpoint, but inclusive of various cultures across the world. Last year they released two…

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Album Review: Nomade Orquestra – EntreMundos [Far Out Recordings – 23rd June 2017]

Nomade Orquestra unravel the nomadic spirit threading our bones together and turbulently take us to into previously undiscovered dimensions. With the musical depth of each song opening up new vistas, we are swung into their innermost sacred space. The band give no choice but to push reality aside and cosy…

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Interview: Nomade Orquestra (October 2016)

There is no doubt that Brazil has not had the best period in recent years. Scandals, corruption, social unrest and a troubled transition to a new (unelected) President have weakened its health. However, there are some events to cheer people up: the Rio Summer Olympic Games, Zika virus no longer…

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Review: Womex 2016 (Santiago de Compostela, Spain – 19th to 23rd October 2016)

Womex is something more than an exhibition: it’s more intense and bonding. That’s probably why, for the second time in the last three years, it happened in Santiago de Compostela. More than 2000 “peregrinos de la musica” (music pilgrims), as Paul Bräuer (Piranha’s Director of Communications) aptly defined them, gathered…

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