A few weeks after being named Italy’s electronic music capital, Turin is ready to unveil its most soulful side with one of our favourite music festivals: Jazz Re:Found. Celebrating its 10th anniversary, this year’s festival presents an incredibly vast line-up that escapes any kind of strict definition.
Looking at the line-up, you’ll probably ask yourself whether it is a jazz, dance or experimental music festival. The answer is none and all: the magic thread is black music – its legacy, its present and its future evolution.
Jazz Re:Found kicks off on the last weekend of November, after two exciting preview dates in Milan – the gig a couple of weeks ago from legendary Brazilian fusion-jazz band Azymuthand the upcoming show on November 25th from West Coast six-string bass maestro Thundercat.
The festival forte is undoubtedly a well-balanced program – the balance between live gigs and the dance floor; tradition and innovation meet local and global.
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Azymuth's career-defining LP Light As A Feather returns. Home to their worldwide disco/fusion hit single ‘Jazz Carnival’, the samba-doido staple 'Partido Alto', and the proto-deep house masterpiece ‘Avenida Das Mangueiras’, this album typifies the trio’s tireless innovation in the fields of jazz, funk, samba and cosmic music perhaps more so than any of their other ground-breaking records from its era.
Their first release on Milestone Records in 1979, it quickly became one of the best-selling LPs of the year, staying in the UK Top 20 for eight straight weeks with more than half a million copies sold. An incredibly well thought out album both in pace, song selection and musicality, ‘Light As A Feather’ marked a maturing of the band as they began to rightfully utilise the studio as an instrument itself, embracing numerous mixing and recording techniques not yet common for the time as well as pioneering the use of the Big Muff and Dolby System to great effect. The result is an album that endures to this day as a samba/jazz-funk masterpiece.
First reissued in 2012, the Far Out edition of this seminal recording was remixed and re-mastered from the original 16-track tapes, which were given to Joe Davis by Azymuth. This latest version is the first ever issue to be complete with a download card that that gives access to previously unreleased tracks, including the incredible full length version of 'Jazz Carnival', as well as remixes from house stalwarts Theo Parrish, Ashley Beedle, and Mark E.
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Written and Produced by S. Bruner / S. Ellison
Bass, Vocal - S. Bruner
Keyboards, Programming - S. Ellison
Saxophone - Kamasi Washington
Piano - Dennis Hamm
Cast (in order of appearance):
Delane Vaugh, Iñigo Abaroa, Thundercat, Victoria Johnson, Krista Gay, Londyn Maze, Cristian Vera
Directed by Carlos Lopez Estrada
Produced by Zach Wechter
EP: Danielle Hinde for Doomsday Entertainment
Director of Photography: Nicholas Wiesnet
Production Designer: Tyler Jensen
Editor: Ernie Gilbert and Carlos Lopez Estrada
VFX: Tanner Merrill, Cameron Clark, Tim Hendrix, The Jordan Freda Company
Additional Photography: Eric Ulbrich
Wardrobe: Jordy Scheinberg
Samurai Stunts: Damien Bray and Caitlyn Dechelle
Production Manager: Alissa Torvinen
Production Supervisor: Kelli Kay
Mini-album 'The Beyond / Where the Giants Roam' was released digitally on Monday 22nd June via Brainfeeder.
Nella foto: James Senese e Franco Del Prete.
Il gruppo dei Napoli Centrale nasce nel 1975 grazie a James Senese, eclettico sassofonista, e al batterista Franco Del Prete. Gli altri componenti del gruppo sono Mark Harris (piano) e Tony Walmsley (basso e chitarra). In seguito si aggiungono Pippo Matino al basso elettrico e Peppe Sannino alle percussioni. Curiosità: nella band per qualche periodo ha militato anche Pino Daniele al basso, successivamente si dedicò alla ben nota carriera solista.
Negli anni il gruppo ha subito molte trasformazioni, della band delle origini è rimasto soltanto James Senese. La formazione nell'ultimo periodo è stata costituita da:
* James Senese - sax, flauto, voce (1974-2001)
* Savio Riccardi - tastiere (1980-2001)
* Gigi De Rienzo - basso (1980-2001)
* Agostino Marangolo - batteria, percussioni (1980-2001)
'Odissi' from the movie 'Indiamore' of Chassol
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Play and create your Ultrascore on http://myultrascore.com
Chassol a pour objectif d'harmoniser le réel, la vie, le monde, tout ce qu'il rencontre, tout ce qui lui parle. Harmoniser le réel, c'est partir d'une image l'intéressant dès lors qu'elle produit un son : Chassol la duplique, joue avec le montage pour créer un motif rythmique et visuel, harmoniser les sons ainsi créés et produire un véritable objet filmique et musical. Le résultat porte un nom : "ultrascore"
Pianist, composer, arranger and musical director for the likes of Phoenix and Sebastien Tellier, the charismatic and talented Christophe Chassol gave birth to an unclassifiable artistic piece. His compositions articulate voices, music, sounds, images onto new audiovisual objects.
The result has a name : "ultrascore".
His aim : Harmonizing reality.
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