Follow what is going on on our music calendar and enjoy another seasonal and very Rhythm Passport playlist to deal with these exceptional (for all the wrong reasons) times.
New single available here : http://jupiterandokwess.com/nakozon...
Jupiter & Okwess - Na Kozonga
Taken from the forthcoming album "Na Kozonga"
Produced by Mario Caldato Jr. & François Gouverneur
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Na Kozonga comes from the Lingala word meaning "I'm returning". After having travelled the world and seen so much, Jupiter returns among his family, "in Afrika". But this journey becomes more metaphysical than a simple visit...
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Na Kozonga du Lingala: Je reviens, je rentre. Après avoir voyagé et vu tant de choses, Jupiter rentre chez lui « in Afrika » auprès de sa famille. Mais ce retour sera plus métaphysique qu’une simple visite.
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Written and directed by Florent de la Tullaye
Assistant director : Paul Shemisi
Director of photography : Florent de la Tullaye
Edited by Julien Munschy.
Post production 1 : Shaman Labs
Post production 2 : Cédric Cossec @ l’Atelier Digital
Produced in Kinshasa by La Belle Kinoise
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"Na Kozonga"
Original title : "Hallo Bimmelbahn"
Autor : Heinz Huth / Jürgen Huth / Michael Holm
Composers : Heinz Huth / Jürgen Huth
Musicians : Jupiter & Okwess / Sacha Rudy (Rhodes, Wurli, Farfisa), Carlos Nino (misc percussion)
Jupiter Bokondji : Lead sing / Percussions
Eric Malu-Malu : Guitar
Richard Kabanga : Guitar
Yende Balamba Bongongo : Bass
Montana Kinunu : Drums
Blaise Sewika : Maracas
Afro Bolero ft. Angelique Kidjo & Mo Laudi - Philippe Cohen Solal
Directed by HUMAN (Instagram @_____H_U_M_A_N_____ )
- DOP & Editing: Workout brothers
- Dancers: Brice Ntamag / Dedson Killah / Cam Lacroix
- Streetart by Espion : Les Mains de la paix
- Model: Aurélie Giboire
- Assistant: Arthur Balatier
Afro Bolero :
In the beginning was the rhythm. I must admit that initially, I had no intention of being inspired by Ravel's Bolero more than by its rhythmic figure, these famous two measures of ostinatos repeated 169 times on snare drum. As often, I like to confront a secular rhythm with electronic music 2.0 in order to blur the dance floors. When Mo Laudi, a Paris-based South African DJ, joined me in the studio, he delivered a great rap full of positive energy and geopolitical rhymes, from Patrice Lumumba to Biko and from Congo to São Paolo. Then Queen Angelique Kidjo, like a divine diva, fervently sang her hymn "Lonlon" in the Mina language, where the Afro literally meets the Bolero. We will not forget the fine team that allowed me to cook up this sacred cocktail: Flamme Kapaya, outstanding Congolese guitarist, the Parisian DJ-beatmaker Lazy Flow and the late Hilaire Penda, Cameroonian bass player and an active member of the Parisian african musical scene, who unfortunately left us since. Benin, South Africa, Congo and Cameroon meet in Paname, the capital of World Sounds, but the musical adventure did not stop there. The remixes take us straight to London with Poté, to Berlin with Daniel Haaksman and to Johannesburg with the super-group Batuk formed by the godfather of the African electro Spoek Mathambo, the kwaito maestro Aero Manyelo, and the Mozambican singer Manteiga. At a time when travel is prohibited or not recommended, let's be grateful, for music does not need certificates or passports and knows no borders.
Philippe Cohen Solal
Angélique Kidjo (Vocals)
Mo Laudi (Vocals)
Mweni Flamme Kapaya (Guitar)
Hilaire Penda (Bass)
Lazy Flow (Programming)
Philippe Cohen Solal (Keyboards, Programming)
Written by Mo Laudi & Angelique Kidjo & Philippe Cohen Solal
Composed after the theme Bolero by Maurice Ravel
Recorded and mixed by Florent Cortesi @ Substudioz
Mastered by Benjamin Joubert @ Biduloscope
Produced by Philippe Cohen Solal
(c) & (p) 2020 ¡Ya Basta! Records - Science & Mélodie - 4 rue Martel, 75010 Paris
Stay in touch, follow me on the music platform of your choice to remain updated of all my music:
Spotify: http://bit.ly/spotpcs
Apple Music - iTunes: http://bit.ly/ampcs
Deezer: http://bit.ly/deezpcs
Youtube: http://bit.ly/yabasub
¡Ya Basta! Records :
http://www.yabasta-records.com/http://www.facebook.com/yabastareco...http://twitter.com/YaBastarecordshttp://www.instagram.com/yabastarec...
Marlowe (L'Orange & Solemn Brigham) - Future Power Sources | Official Video
From the upcoming album "Marlowe 2"
https://smarturl.it/Marlowe2
Coming August 7, 2020
Scratches by Trackstar The DJ
L'Orange & Solemn Brigham are Marlowe
Directed by Mero.Uno
www.mero.uno
#LOrange #Marlowe #MelloMusicGroup #SolemnBrigham
Sounds Beautiful Like The Truth
Mello Music Group, 2020
Fantastic Negrito - I'm So Happy I Cry (Official Video) ft. Tarriona "Tank" Ball
New official video for "I'm So Happy I Cry" featuring Tarriona "Tank" Ball from Tank & The Bangas.
Off the album Have You Lost Your Mind Yet? available 8/14/2020
PREORDER ALBUM: https://fn.lnk.to/HYLYMY
LISTEN TO THE TRACK: https://fn.lnk.to/SHIC
Directed and Edited by: Aerick Neal
Executive Producer: Fantastic Negrito
Producer: Cameron Carr
Fantastic Negrito brings you his truth through music. The show can be described as "church withouth the religion" and crosses genre boundaries with no passport needed.
Sarazino feat. Sabina Sciubba & Blue Melvin - "Everyday Salama (Sarazino Deep Remix)"
A new mix of the song "Everyday Salama", the title track from Sarazino's 2012 album.
Featuring Sabina Sciubba of the band Brazilian Girls and Ecuadorian rapper Blue Melvin, the new remixes of "Everyday Salama" are available for purchase at http://store.cumbancha.com and on all major online platforms.
The video for "Everyday Salama (Sarazino Deep Remix)" features scenes filmed in India, Indonesia and Malaysia. It was shot, directed and edited by Enzo Bradner. http://www.enzobrandner.com
Audio production, mixing and mastering by Freddy Espinoza
Sarazino is the alter ego of singer, songwriter and producer Lamine Fellah. Born in Algeria and now living in Ecuador, Sarazino has released three albums with Cumbancha. For more information: http://www.cumbancha.com/sarazino
"Everyday Salama" Music by Lamine Fellah & Sabina Sciubba. Lyrics by Isídro Garcia & Sabina Sciubba. Published by Cumbancha Music Publishing (BMI).
Manudigital presents his brand new single "Mexicali" ! Stream here 👉 https://smarturl.it/ManudigitalMexi...
NEW EP "Dub Trotter" by Manudigital 👉 Pre-order available here : https://smarturl.it/ManuDubTrotter 🔥
SUBSCRIBE FOR MORE ☛ http://bit.ly/ManudigitalYouTube
Manudigital is back today to present “Dub Trotter”, his first and highly anticipated dub EP. Manudigital recorded this EP on the road during the last two years of tour around the world, hence the name of "Dub Trotter" in the manner of a globetrotter (Manudigital was 13th in the Live Export Awards of Le Bureau Export in 2019 - 130 gigs / 20 countries). Each track is named after where it was composed: "Mexicali", "Canada Airport", "Noumea Hotel Room"...
Manudigital revient aujourd’hui nous présenter « Dub Trotter », son premier et très attendu EP dub. Cet EP, Manudigital l’a enregistré sur la route lors des deux dernières années de tournée à travers le monde, d'où le nom de "Dub Trotter" à la manière d'un globe-trotter (Manudigital était 13ème au Palmarès Live Export 2019 du Bureau Export - 130 dates / 20 pays). Chaque morceau porte le nom de l'endroit où il a été composé : "Mexicali", "Canada Airport", "Noumea Hotel Room"...
Riddim by Manudigital
Filmed by Victor Rault @ Digital Lab Studio
● Sign up for updates from Manudigital ☛ http://bit.ly/ManudigitalNews
● Manudigital's album « Bass Attack » AVAILABLE ☛ http://smarturl.it/ManudigitalNewAl...
● Manudigital On Tour ☛ http://bit.ly/ManudigitalOnTour
● STREAM DOWNLOAD & BUY MANUDIGITAL DISCOGRAPHY ☛ http://smarturl.it/Manudigital
● Manudigital VINYLS/CDS/APPAREL ☛ http://bit.ly/ManudigitalStore
FOLLOW MANUDIGITAL :
● WEBSITE ☛ http://bit.ly/ManudigitalOfficialWe...
● FACEBOOK ☛ http://bit.ly/ManudigitalFacebook
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● INSTAGRAM ☛ http://bit.ly/ManudigitalInstagram
● WEBSITE LABEL ☛https://www.xrayproduction.com/
#Manudigital #Mexicali #Dub
Creative direction and Animation by Orly Anan
Photo by Andres Navarro
Available on streaming platforms: https://LaChica.lnk.to/SerpienteID
Lyrics :
El sabe, más que yo,
lo que sucede en mi piel cuando se abre el ojo, lo que puedo ver. .
Oh, ya aumentó el nivel de energía. Viajo hacia dentro,
soy inmortalidad.
Quién quiere ser una serpiente ? Quién quiere ser una serpiente ?
Cuéntame, voy
Háblame, quiero que me cantes.. Cuéntame, voy
ábreme.
Cuéntame, voy
ábreme, quiero que me cantes.. Cuéntame, voy
ábrete.
Cuál de los dos quiero ser, si puedo escoger ? Crees que el género define mi ser ?
Ya empezó el reino del atardecer. Cambio de piel y veo el mundo al revéz.
Quien quiere ser una serpiente ? Quién quiere ser una serpiente ?
Ábrelo !!!!
Subscribe here http://bit.ly/LaChicaYB
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https://www.facebook.com/LaChicaBel...https://www.instagram.com/lachicabe...
Site Web https://www.lachica-belleville.com
Max Cooper - Swarm (Official Video by The McGloughlin Brothers)
Swarm here: https://ffm.to/swarm
Directed By The McGloughlin Brothers
Music and Sound Design By Max Cooper
Animation / Camera / Edit By The McGloughlin Brothers
Fluid Art By Roman Hill, Thomas Blanchard & Oilhack
Drone Photography By Colm Hogan
Special Thanks to Léa Morel, Paul Mignot, Brendan Canty & Greenlight Films.
McGloughlin Brothers
Development and destruction seem to go hand in hand when it comes to human progress on earth. There is a celebration of the human ability to create sophisticated environments in which we inhabit, but also a concern at the price that we are paying for this.
Feeling alien is easy here.
Max Cooper
This project was something special for me. Two of my favourite artists, brothers, and long term collaborators, Kevin and Páraic McGloughlin got together to create a short film with huge visual and conceptual intensity.
It is the story of our planet and us on it. Swarming. The huge scale of our impact on the planet presented as beautiful and terrifying growing structures as we see population growth time lapse set against frenetic activity.
Usually I write music alongside rough visual ideas from my project stories, and rely on the video artist to synchronise them for music videos. But this beast of a short film was presented more or less finished, and I had the daunting task of how to make the music live up to the feeling and spectacle of the film. As well as sync to the barrage of visual cues.
It turned into a bit of an obsession, where I was trying to find the right sounds to link with every new scene, and given the number of scenes, it turned into one of my most detailed pieces of music. If you can listen in HD format with headphones there are many details to find in there, often using spatial/binaural format to make them audible amongst the chaos.
Kevin and Páraic also had a big role in guiding the musical style as it’s their film rather than my music video this time. We tried several different ideas, and they encouraged me to go the route of my sansula pieces which you may notice the link to. It’s a small thumb plucked instrument that I play and record and has formed a major part of my sound over the years.
The main element that I started with was that big pitch bending synth chord sequence. It seemed to capture something of the growing intensity and power of the film, and I could also sync the pitch gliding to the longer scale visual arrangement. The whole process of building the arrangement tightly to the film yielded an unusual musical structure for me, which was a nice habit breaking process that gave me some lessons to take into future projects.
It took a long time to create an audio mapping, but they have made such a beautiful visual spectacle it was a total pleasure to work on and obsess over. Big thanks to Kevin and Páraic McGloughlin for getting me involved in this short film, and I hope some of you can hear and feel the love and sweat and tears we all put into the project.
Directors
@paraicmcgloughlin
@kevinmcgloughlin_gram
Music / Sound Design
@maxcoopermax
Fluid Art
@thomas_blanchard
@roman.hill
@oilhack
Drone Photography
@drumhog
Thanks
@leamorel
@paulmignot_dir
@brendanfeelgoodlost
@the_wild_seeds
taken from the album Lost&Found comes this jem written in the back of a tour van in europe in the summer of 2007 whilst touring the soundcatcher.. Just never really got round to finishing it till now.
Al Bilali Soudan - Tanghani (Official Music Video)
Al BIlali Soudan
"Tanghani"
from their album "Tombouctou"
LIKE COMMENT SUBSCRIBE
"Raw and unmediated... wild and untamed... An almost punk energy... Relentless monophonic onslaught" - Songlines reviews Al Bilali Soudan's Tombouctou in the July 2020 issue.
FIlmed on the dunes outside of Tombouctou the Malian supergroup Al Bilali Soudan performs the song Taghnani with local dancers showing the full local style of this ancient music style.
This is song praising the wonderful Tuareg woman Nana Wallet Oumar.
Musicians:
Abellow Yattara
Aboubacrine Yattara
Mohamed Ag Abellow
Tchiale Ag Aboubacrine
Calabassists for the video:
Abodi Ag Aljmougate
Alhoussein Ag Aljmougate
Dancers:
Mossa Ag Halla
Rokiatou Walet Iba
Lalla Aicha Walet Oumar
Video directed and edited in Timbuktu by: Mohamed Ag Alher Dida, Sahel Visions
Line producer: Mohamed Ag Abellow
Producer: Chris Nolan
Album released April 2020 by Clermont Music
Social media:
Al Bilali Soudan - https://www.facebook.com/mohamedago...
Sahel Visions - https://www.facebook.com/dida.didie...
Clermont Music - https://www.clermontmusic.com/al-bi...
Atropolis - From Greece With Love (feat. Yiannis Mandas) [OFFICIAL MUSIC VIDEO]
Atropolis - From Greece With Love (feat. Yiannis Mandas) [OFFICIAL MUSIC VIDEO]
Buy / Stream here:
Spotify: spoti.fi/2BEQj7f
Apple Music: apple.co/38CGrXj
Amazon Music: amzn.to/2ZNqQjW
Bandcamp (Pre-Order Album): bit.ly/2A5C4aI
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Astoria, Queens resident Adam Partridge, aka Atropolis, goes back to his roots with “From Greece With Love,” the second single from his upcoming album. Incorporating traditional Grecian sounds into the Global Bass / Tropical Dance genre, the track is a bass heavy dancefloor bomb featuring the unique musicianship of Yiannis Mandas, who lends his skills on the Cretan Lyra and vocals.
Atropolis has spent the past decade teaching music production, releasing music, studying and working with sounds ranging from his own Greek-Cypriot heritage to other diverse musical cultures in Colombia, India, Mexico, Ghana and South Africa. With a degree in music composition and ethnomusicology, Atropolis is Adam’s alter ego that explores international styles of music fused with a diverse range of contemporary electronic genres. Growing up, Adam’s after school jazz program at Queens College greatly influenced his improvisational, compositional, and rhythmic approach to music production. His instructors at Queens College introduced a focused study on Thelonious Monk’s repertoire, which still resonates throughout Adam’s approach to playing his primary instrument, the piano. Parallel to these teenage musical moments, Adam was introduced to composition using Sibelius, and Digital Performer, where Atropolis got his first chops in music production using digital audio workstations.
His upcoming album, “Time of Sine,” is due on Wonderwheel Recordings in July, 2020.
Brahim - Ainsi vivent les hommes : http://smarturl.it/AinsiViventLesHo...
Auteur : Brahim
Compositeur : Brahim
Orgue : Martin Bisson
Choeurs : Laurene Pierre-Magnani, Wyman Low, Manjul
Lyrics :
La paix la justice l'égalité voilà ce qu'ils demandent
Mais c'est la haine et la confusion qu'ils répandent
Ce que tu sèmes tu le récoltes
Et tant que tu planteras ces mauvaises graines il en sera de la sorte
Donner pour mieux reprendre
Parler pour mieux t'endormir
Est-ce que le but est de nous comprendre ?
Ou bien de monter leur empire
Ne t'étonne pas si les gens croient de moins en moins en la politique
Ne t'étonne pas les gens connaissent de mieux en mieux la musique
Refrain
Ce que tu sèmes tu le récoltes
Et tant que tu planteras ces mauvaises graines il en sera de la sorte
Ils te demandent de faire l'impossible
Alors qu'eux-mêmes dans ta situation
Se seraient mis un coup de fusil
S'ils savaient toute la pression
Qu'il faut subir pour avoir une vie digne de ce nom
Les oreilles n'entendent plus quand le ventre est vide
Un ventre vide n'a pas peur de la confrontation
Est-ce que le pire doit arriver ?
Pour comprendre qu'ils craignent ce qu'ils créent
Est-ce que le pire doit arriver ?
Pour comprendre que c'est des bombes à retardement qu'ils créent
Est-ce que le pire doit arriver ?
Pour comprendre qu'ils descendent alors qu'ils croient monter
Follow Brahim :
- Facebook : https://www.facebook.com/BRAHIM.sin...
- Instagram : https://www.instagram.com/brahim_xb...
BACO RECORDS • Label • Booking Agency • Publishing • Distribution • Studio
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