Every month, we bring you a collection of the best world music-related videos. That’s our way to give value to too often overlooked, rich and diverse artistic expressions.
IMARHAN - "Adar Newlan" feat. Gruff Rhys (Official Video)
'Adar Newlan' is from the new Imarhan album 'Aboogi', out January 28. Listen / Shop : https://imarhan.lnk.to/AboogiYD
Follow Imarhan on Facebook, Instagram and more https://imarhan.lnk.to/Follow
___
Directed & written by Fantômes (Hugo & Rodolphe Jouxtel)
Produced by Ondine Benetier for La Blogothèque and Wedge
Production manager: Philippine Graffard
Background designer: Audrey Jouve
With the support of the CNC
___
« Adar Newlan » means « The Blazing rocks ».
"Creating a fire to heat the kettle.
Strong and sweet tea, close by to
The door of the orange tent.
A starry night under the moon.
Strong tea
Strong tea
Strong tea
Strong tea
We celebrate our existence,
Our histories long.
We sing a song for our heroes,
Comrades under one sky.
Strong tea
Strong tea
Strong tea
Strong tea
The sons of my country are exhausted,
Because they live in prisons,
Under the blazing sun between rocks,
Rocks that are full of fear,
Full of buried secrets."
___
« Adar Newlan » in Welsh and Tamasheq «
Te cryf a melys nepell,
O ddrws y babell oren,
Serenog nos dan seren,
Te cryf,
Te cryf,
Te cryf,
Fe ddathlwn ein bodolaeth,
Ein hanes yn un helaeth,
Fe ganw’n gan i’n harwyr,
Gymrodyr dan un awyr,
Te cryf,
Te cryf,
Te cryf.
Oulad bladi garid aldachan,
Ed tikarmouten adar izaran
Adar newelan adar idaran,
Wa ahanat rhumag dadjen ifar
___
This is the Official Youtube channel of Imarhan. To be kept up to date with all of the latest releases, new videos, tour information and more, SUBSCRIBE NOW https://imarhan.lnk.to/Subscribehttp://www.imarhan.com/
#Imarhan #CitySlang
Poem by Moulana jalaledin Rumi
Mamak Khadem – Vocals
Chris Votek– Cellos
Composed, arranged, and produced by Mamak Khadem and Chris Votek
Mixed by: Jamshied Sharifi
"Entangled" is addressing women in today’s world from an alarmed feminist perspective.
One hand holding a cup of wine,
one hand caressing my beloved’s hair –
I yearn to dance
in this way
in vast, open fields.
Translated by: Omid Arabian
Charlie Parr – "Blues For Whitefish Lake, 1975" [Official Music Video]
Watch the official music video for "Blues For Whitefish Lake, 1975" by Charlie Parr. The song is featured on his new Smithsonian Folkways album 'Last of the Better Days Ahead,' available on CD, LP, and digital.
Shot and Edited by Lei Shi
Directed by Lance Lindahl
Featuring Gar Lindahl as the boy
Stream/purchase:
Smithsonian Folkways: https://folkways.si.edu/charlie-par...
All other platforms: https://orcd.co/charlie-parr-last-o...
Charlie Parr’s newest album, Last of the Better Days Ahead, is a collection of powerful new songs about how one looks back on a life lived, as well as forward on what’s still to come. Its spare production foregrounds Parr’s poetic lyricism, his expressive, gritty voice ringing clear over deft acoustic guitar playing that references folk and blues motifs in Parr’s own exploratory, idiosyncratic style. When it comes to what it all means, Parr says it best:
“Last of the Better Days Ahead is a way for me to refer to the times I’m living in. I’m getting on in years, experiencing a shift in perspective that was once described by my mom as ‘a time when we turn from gazing into the future to gazing back at the past, as if we’re adrift in the current, slowly turning around.’ Some songs came from meditations on the fact that the portion of our brain devoted to memory is also the portion responsible for imagination, and what that entails for the collected experiences that we refer to as our lives. Other songs are cultivated primarily from the imagination, but also contain memories of what may be a real landscape, or at least one inspired by vivid dreaming. The album represents one full rotation of the boat in which we are adrift—looking ahead for a last look at the better days to come, then being turned around to see the leading edge of the past as it fades into the foggy dreamscape of our real and imagined histories.”
Charlie Parr: http://www.charlieparr.com
Facebook: https://www.facebook.com/Charlie.Pa...
Twitter: https://twitter.com/theCharlieParr
Instagram: https://www.instagram.com/charlie.p...
Smithsonian Folkways: https://folkways.si.edu
Facebook: https://www.facebook.com/smithsonia...
Twitter: https://twitter.com/Folkways
Instagram: https://www.instagram.com/smithsoni...
The content and comments posted here are subject to the Smithsonian Institution copyright and privacy policy (www.si.edu/copyright). Smithsonian reserves the right in its sole discretion to remove any content at any time.
Un Cri est le nouvel extrait du prochain album de Saodaj.
Vous pouvez l’ajouter à vos playlists digitales sur ce lien :
https://uncrisaodaj.lnk.to/g7jJqJRa
Facebook : https://www.facebook.com/saodaj
Instagram : https://www.instagram.com/saodaj_mu...
Youtube : https://www.youtube.com/channel/UCD...
Bandcamp : https://saodaj.bandcamp.com/track/u...
Management/Production - Kaskas
Booking - Wax Booking
Label - Day Dream Music
Auteur Compositeur : Marie LANFROY et Jonathan ITÉMA
Enregistrement : Brice NAUROY / Oasis Studio
Mix : Brice NAUROY
Mastering : Graeme DURHAM / The Exchange Mastering Studios
Réalisation clip : Romain PHILLIPON et Samuel MALKA
Comédienne : Aurélie LAURET
Production : Contrebande
Avec le soutien de : AMI PRMA Réunion, Kaskas
(C) & (P) 2021 Kaskas under exclusive license to Daydream Music
Paroles / Lyrics :
J’étouffe un cri
Je dis non
Tu obliges le oui
Mordre ma peau
Te fait taire
Je succombe
Sous ton corps alourdi
A ta force
Tes vapeurs de whisky
Vider le trop plein
Décharger ta folie
Sur mon corps fatigué
Fatigué de t'aimer
Bien au-delà du pire
Oui, je te hais
Mon amour ennemi
A perdre la raison
Je me souviens
Je me souviens de tout
Je me souviens
Je me souviens de tout
Je n'ai pas dit mon dernier mot
Même si les murs en ont trop vu
La pluie battante meurt sur le toit
Fin des violences
Ton corps foutu
Reprend son souffle
Je me relève et te maudis
Mais à quoi bon puisque tu dors ?
Puisque demain est déjà là
Et puisque de nous tout est mort
Dann li la pèz mon kor (dans ce lit, mon corps écrasé)
Sanm out kor ou la ankor (sous ton corps, encore une fois)
Dann doulèr la mon fénwar pli for (dans ma douleur, tout est plus sombre)
Kan mi mazinn mwin mi krwa lamour ankor (et dire que je crois encore en notre amour…)
Je pars sans te dire adieu
C'est bien au diable que je t'envoie
Je pars
Je pars sans te dire adieu
Je crie pour la première fois
Je pars.
___________
I stifle a cry
I say no
you force a yes out of me
Biting my skin
Shuts your mouth
I give in
To the weight of your body
To your power
To your whiffs of whisky
Shedding the overload
Shedding your folly
On my wearied body
Tired of loving you
Way beyond the worst
Yes I hate you
My lover my enemy
To the point of insanity
I remember
I remember it all
I remember
I remember it all
I havn’t said my last word
Even if the walls have seen
too much
The pelting rain fades on
the roof
The violence ends, your
spent body
Catches its breath
Picking myself up and I am
cursing you
To what end, since you are
sleeping?
Since tomorrow is already
here
And since of us, nothing is
left
Dann li la pèz mon kor ( In
this bed, my body crushed)
Sanm out kor ou la ankor
(Under your body, once
more)
Dann doulèr la mon fénwar
pli for (withIn my pain,
everything is darker)
Kan mi mazinn mwin mi
krwa lamour ankor (and to
think I still believe in our
love…)
I am leaving without saying
farewell to you
It’s to the very devil that
I am sending you.
I am leaving
I am leaving without
farewell
I am crying out for the first
time
I am leaving
https://bit.ly/3sePpG3
#saodaj #maloya #uncri
Taken from Isaac's "Canciones de Isaac" LP on Olindo Records, Manyanet is a sonic postcard dedicated to the small town of the same name in the Catalan Pyrenees, which inspired Isaac through its landscapes and sounds. It was one of the first songs on the LP to be written and recorded in Barcelona, Spain following the composer's move from Venezuela, and contains a mixture of field recordings captured during his visit, juxtaposed with the sounds of Caracas during a rainy afternoon.
Listen and buy the LP here: https://olindorecords.bandcamp.com/...
Filmed in Manyanet, Spain
Directed and produced by: Dani Rodriguez at Rotten Studios
Rincon Sapiência - De Onde Cê Vem + Serenata part. Timor YSF // O Peso das Barra
Ouça O Peso das Barra: https://links.altafonte.com/opeso
+ RINCON SAPIÊNCIA:
Instagram: https://www.instagram.com/rinconsap...
Facebook: https://www.facebook.com/rinconzl
Twitter: https://twitter.com/rinconsapiencia
Produção e realização: MGoma
FICHA TÉCNICA: DE ONDE CÊ VEM (VERSO LIVRE)
MÚSICA:
Música: De Onde Cê Vem (Verso Livre)
Autores: Rincon Sapiência e 808 Luke
Voz: Rincon Sapiência
Produção Musical: Rincon Sapiência e 808 Luke
Gravado, mixado e masterizado por Rincon Sapiência no Estúdio MGoma
Gravadora: MGoma
CLIPE:
Concepção e roteiro: Rincon Sapiência
Direção: Gabriel Ranza e Mista Luba
Direção de Fotografia: Gabriel Ranza
Edição e Color: Gabriel Ranza
Produção Executiva: Carol Jafet
Edição e finalização: Mista Luba
Produção: Adriano Flai Tanda
Administrativo: Leandro Ambrosio
Making of: Andreh Santos
Still: Andreh Santos
Social Media: Adriano Flai Tanda
Locação 01: Spinelli Alfaiataria
Agradecimentos especiais: Luiz Spinelli, Natasha Mesquita, Valéria Mesquita, Eduardo Mesquita, Priscila Felisardo
Locação 02: Grand Rigor Trajes
Agradecimento especial: Renato Santos
FICHA TÉCNICA – SERENATA PART. TIMOR YSF
Música: Serenata
Autores: Rincon Sapiência, Timor YSF, Ziggy Beatz
Voz: Rincon Sapiência e Timor YSF
Produção Musical: Rincon Sapiência e Ziggy Beatz
Voz do Timor captada em Lisboa por Progvid
Voz do Rincon gravado no Brasil, estúdio MGoma
Mixado e masterizado por Rincon Sapiência no Estúdio MGoma
Gravadora: MGoma
CLIPE:
Concepção e roteiro: Rincon Sapiência
Direção: Mista Luba
DP: Mista Luba
Edição: Mista Luba
Color: Gabriel Ranza
Produção Executiva: Carol Jafet
Administrativo: Leandro Ambrosio
Social Media: Adriano Flai Tanda
Designer: Milla Carol e Keila Menezes
Imprensa: Ana Claudia Luiz
Agradecimento especial: Renato Venom
Agradecimento especial: PUMA Brasil, Rubia Pria, Fabio Kadow
______
LETRA – DE ONDE CÊ VEM
Altos e baixos nós vivemo
Naquele foco nós mantemo
Jogo da vida não tá ganho
Mas tem várias fita que vencemo
Trabalho duro mais plano
Mirando o futuro mais pleno
Na minha visão mereço mansão
Mas eu agradeço o que ta teno
Eu amo comprar e mágico
Pergunta se kero é lógico
Rico no saldo da conta
Fudido no psicológico
Lobo guará, serpente, porcos
Seja bem vindo ao zoológico
155 157 to evitando esses códigos
Tudo tão lindo, leve, solto
Enquanto não vive sofre
A gente só guarda dinheiro que sobra
Eu nunca tive um cofre
Conectado com a cara na tela
Sigo bebendo um coffee
Pra quem apronta na rua é mó guela
Melhor ficar em off
O rap tem dread, o rap tem ouro, piercing
Drink, o rap tem flor
Olhe pra África, o drip é ancestral
O rap tem cor
O rap consegue fazer o retorno
Abrir caminho, passar o trator
E nessa prática, os preto tá ganhando menos é um fator
Verso livre é a caçada
Tem aula, rua que ensina
Eles não têm a braçada
Mas playboy tem a piscina
De lala, gucci, prada
Olha sua lata, não combina
Não é pela mente chapada
É canetada, é medicina
Verde limão é cítrico
Copo na mão tá híbrido
Por uma cultura mais sólida
Eu quero lucro líquido
Disposição no físico
Original legítimo
Flow de malandro é como batuque
É tipo tambor é ritmo
Vários muleque tão no desafio da lei
Loco pra desacatar
Vira madrugada vivendo uma vida de rei
Enquanto os homi não catar
No canto do baile ela joga essa bunda eu amei, vai difícil escapar
Flow de malandro é tipo batuque falei, pa papapa papapa
____
LETRA – SERENATA
RINCON SAPIÊNCIA:
Na madrugada tem serenata
Toca sirene bem sereno
Atividade muito silêncio
Quem pensa grande o mundo é pequeno
Tenha dinheiro, perca saúde
Ganha saúde, perca dinheiro
Cabeça queima no travesseiro
Eu quero terra e não sou herdeiro
Dinheiro gira como ciclone
Da uma volta e logo já some
Quando a barriga ronca de fome
Ninguém escolhe aquilo que come
Se eu tô no corre, vivo no asfalto
Quando eu tô alto vivo igual drone
Uma doçura ela derrete
Toda cremosa tipo danone
PUMA no solo de camisa polo
Abotoado na última casa
Vejo a quebrada longe do cofre
Não pode ser uma faixa de Gaza
Vejo o sistema criando cobra
E a quebrada criando asa
Vários colete, vários foguete
Cohab-01 me sinto na naza
Não esconde a face
A pressão é forte
Pra nós o disfarce
Só se for no corte
Cansei dos relato
Só destrato morte
Prato com risoto
Férias no resort
TIMOR YSF:
Bagulho doido com essência
Mas um bomba Ku nigga paciência
Cabo Verdi Brasil
Ki é nos gera cada hit
Nigga é tremor di terra
Situacon pa li Sempri foi berra
Ku pobreza Tudo dia e guerra
Ta busca pa tenta alcança
Equanto nka teni nha milhon
Nka ta cansa nteni dikas
Na prega Sima kilos ganza
Tem rabos tem ancas
Nigga ta balança
Tem putos ku fomi
Pronto inxi pança
Ba ta djobi pa confiança
E kuza fudido ki Niggas
Ta abraça
Nsta dento becos
Ta busca nha massa
Obrigado Rincon
Nha parcero di casa
Es pensa ma e di hoji
Ma dja nu tem data
Oh ki ntxiga Brasil
Nsta pronto pa farra
RINCON SAPIÊNCIA
Só muleke zica forgando cheio de marra
Na conexão Timor e Rincon segura o peso das barra
Crystal Murray - Other Men (feat. Le Diouck) (Official Video)
Crystal Murray "Other Men" (feat. Le Diouck)
Available here: https://crystalmurray.lnk.to/other-...
Subscribe to Crystal channel : https://crystalmurray.lnk.to/ytsub...
Crystal Murray new EP ‘Twisted Bases’
Available here: https://crystalmurray.lnk.to/twiste...
Take your tickets to Crystal’s Maroquinerie Release Party in Paris: https://crystalmurray.lnk.to/maroqu...
Subscribe to Crystal channel : https://crystalmurray.lnk.to/ytsub...
Follow Crystal on Socials:
IG : https://www.instagram.com/crystalmr...
FB: https://www.facebook.com/CrystalMrr...
Website : http://crystal-murray.com/
Produced by HIERSOIR
Directed by Ceheivi
Producers : Yoël Servadio, Anne-Cécile Jemin, Caroline Hélaine
Line Producer : Rachel Roncin
Set manager : Germain Cesena
Assistant director : Quentin Dubourdieu
Director of Photography : Théodore Hugonnier
1st AC : Léo Servant
2nd AC : Paul Godeau
Gaffer : Clémence Warnier
Best Boy : Joffrey Chattellier
Electrician : Nicolas Hélie
Electrician : Titouan Deniaud
Crane / Head Operator : David Campbell
Assistant : Corto Ta Minh
Key Grip : Pierre Grisoni
Grip : Romain Colleaux
Set Designers : Charlotte Castay & Juliette Castay
Aerial Stunt : Didier Alexandre
Art Director / Stylist : Stephy Galvani
Assistant Stylist : Maelys Annovazzi
Make-Up Artist : Ruben Masoliver
Hair & Wig Artist : Yumiko Hikage
Movement Director : Maeva Berthelot
Post Production : Cassius
Post-Producers : Aurélien Kouby, Clémence Normand, Léa Taborin
Editing : Arnaud Vieron
Supervisors VFX : Nicolas Hernandez, Romaric Baudoin
Conformation : Marine Paixao
Grading : Nicolas Gautier
Graphic Design : Léa Simon
Rental : Panavision & Panalux
Location : Cinedesk
↓ LYRICS ↓
Searching for other man
Looking from from A to Z
Aroused by other flesh
I’m a beast
A look on the other hand
I’ve been sniffing the bads
Glitched of your naked face
Reading me
Am I being bad?
Just talk to me
Are you not in size
To fit my feet
And I can’t say why
I need attention
And I want you bad
But I need this game full of lies
LE DIOUCK
I wanna I wanna
Mann ak yaw mou diex tak
(Mettre une fin entre toi & moi)
Indeed, I’m sick for other gyals it’s a fact
I have no hope or where I want to go without you
Yakar tassna where I’m going without you
( J’ai plus d’espoir ou je dois aller ; sans toi )
But* Roussoumoko
I have no shame I guess baby boo
(J’en ai pas honte)
I see our end of the road
Nobnala ba tey but bayna ce boat
(Je t’aime encore mais j’abandonne le bateau)
I see, our end of the road
Bayna ce boat
(J’abandonne ce bateau)
Billaye (J’te jure)
Bless me, love me
Defngako (Tu l’as fait)
Yaketima ba ci kaw
(Me hisser le plus haut possible )
Trust me
Defngako (Tu l’as fait)
Wallay sama yaram mi ngui daw sou mlay wéyé
(Je te le jure, j’en ai la chaire de poule quand je te chante)
Ma ngui dof soumlay wéyé
(J’en deviens fou quand je te chante)
CRYSTAL MURRAY
AM I BEING BAD?
Just talk to me
Are you not in size to fit my feet
Searching for other man
Looking from from A to Z
Aroused by other flesh
I’m a beast
I’m a beast
A look on the other hand
I’ve been sniffing the bads
Glitch of your naked face
Reading me
Reading pe
I got the key
Don’t let me go
Your broken face all on my road
my broken tears
They can’t let go
I smell from here your tired soul
Searching I think I did
Waiting for you I will
I hope we’ll be one day free for you and me
A look on what our futur brings
I can’t see to clear
I see you in my deepest dreams you’re haunting me
'Dilli' is a track composed using sounds we experience in the city. From the chaos of bustling streets to the peaceful nights to soulful soundscapes experienced at Jama Masjid and Gurudwaras. They all make up Delhi.
This track was produced as a part of the 'Sounds of the city' project mentored by Yoel Genin (Berklee Instructor, Boston) and funded by MAP Bangalore.
Credits :
Recorded, produced mixed and mastered by Goya (Abhishek Sekhri)
Shot by Aditya Dutta, Shamita Chaudhary, Sujat Roy and Protyasha Pandey
Edited by Abhishek Sekhri
High Pulp - "All Roads Lead To Los Angeles" (feat. Jaleel Shaw)
Listen to the full album: https://antircrds.io/3xo9A7d
"All Roads Lead To Los Angeles" (feat. @Jaleel Shaw) by @High Pulp from the album 'Pursuit of Ends', available now
Order, stream & download at https://highpulp.ffm.to/pursuitofen...
Written, Recorded, and Produced by High Pulp
Mixed by Bradley Giroux
Mastered by Beau Thomas
Artwork by Robert Beatty
Bobby Granfelt - Drums & Auxiliary Percussion
Rob Homan - Nord Stage 2, Moog Sub 37, Sequential Prophet-6, Grand Piano & Hammond Organ
Antoine Martel - Behringer Deepmind 12, Nord Electro, Korg Prologue 8, Moog Matriarch + Eurorack System, Moog Minotaur & Guitar
Andrew Morrill - Alto Saxophone
Victory Nguyen - Flute, Tenor Saxophone, Soprano Saxophone & Trumpet
Scott Rixon - Bass & Guitar
Jaleel Shaw - Alto Saxophone
Alex Dugdale - Tenor Saxophone & Bass Clarinet
Isaac Poole - Trombone
Production Co - MERCHANT
Directed by Sara Jade Alfaro
Produced by Goldbloom Micomonaco
Production Manager - Tyler Klementti
1st Assistant Director - Peter Widdrington
Casting By MANN CASTING
Zaahira Joseph - Amelia
Charmaine Magumbe - Mother
Antho Boire - Teacher
Alejandro Rizzo Nervo - Student
Cinematographer - Grant Cooper
1st Assistant Camera - Cecilia Lee
2nd Assistant Camera - Tom Mangin
3rd Assistant Camera - Karina Akulovich
Gaffer - Chris Perkins
Key Grip - Timur Aliev
Production Designer - Lori Atik
Wardrobe Stylist - Rachel Ludlow
Key Makeup Artist - Samantha Ryan
Makeup Artist Assistant - Victoria Shott
Editor Oliver Whitfield-Smith
Colour Grade Sam Gilling
Graphics by Karly Cywink
Locations Provided by
Juno College
Anga's Greenhouse & Nursery
Special Thank you
Martino Gabra
Kat Zoum
The Alfaro Family
Colin Walker
Official Site: https://highpulpmusic.com/
Facebook: https://www.facebook.com/highpulpmu...
Twitter: https://twitter.com/highpulpmusic
Instagram: https://www.instagram.com/highpulpm...
________________________
FOLLOW ANTI RECORDS
▶ Website: https://www.anti.com
▶ Instagram: https://instagram.com/antirecords
▶ Facebook: https://facebook.com/antirecords
▶ Twitter: https://twitter.com/antirecords
▶ TikTok: https://tiktok.com/@antirecords
▶ Spotify: https://spoti.fi/3F8wIHU
▶ Apple: https://apple.co/3mh6Wdc
▶ Store: https://anti.ffm.to/store
#highpulp #pursuitofends #antirecords
C I N C O S E N T I D O S
by Bandua / @bandua.music
BANDUA is a collaborative project between 'Tempura the Purple Boy' & 'Edgar Valente' where downtempo music invites the spirit of Beira Baixa (Portugal)
"CINCO SENTIDOS"
single available on all digital platforms
download at https://bandua.bandcamp.com/album/c...
Production/Composition: Tempura (Bernardo D'Addario)
Vocals/Keys/Percussion: Edgar Valente
Mixing: Pedro Martins
Master: Anders Peterson (GS Mastering & Post)
released by Frente Bolivarista https://frentebolivarista.bandcamp....
Full album "Bandua" out on 11th February 2022
pre-order available at https://bandua.bandcamp.com/release...
Video:
directed & edited by Cláudia Batalhão
dop & grading: Mário Guilherme
1st ac: Manuel Lino
ronin: Márcio Enes
styling: Sara Peterson
producer: Joana Sousa Dias
acting by Sara Mercier, Bernardo D'Addario & Edgar Valente
__
"CINCO SENTIDOS" (lyrics)
eu tinha cinco sentidos
já t’os vou distinguir
e já os levo perdidos
escuta amor se queres ouvir
o Primeiro é p’ra te ver
meu amor p’ra te ver venho
se tu em mim fazes gosto
eu maior gosto te tenho
o Segundo é p’ra te ouvir
quero saber novas tuas
trago-te no pensamento
passeando pelas ruas
o Terceiro é p’ra cheirar
no teu peito ramalhete
saibas que a minha vontade
não é outra se não ver-te
o Quarto é p’ra degustar
que sabor me tens na boca
ausente do teu amor
minha língua nada toca
e o Quinto era p’ra tocar
as tuas mãos com as minhas
receber-te em toda a graça
costurar as nossas linhas
(eu tinha Cinco Sentidos
mais uns tantos em comum
sem ti eu fico perdido
sigo só sendo mais um.) "
[popular old poem from Beira Baixa,
re-arranged by Edgar Valente]
__
follow BANDUA
@bandua.music
https://linktr.ee/banduahttps://bandua.bandcamp.com/https://www.instagram.com/bandua.mu...https://www.facebook.com/bandua.mus...
follow Tempura the Purple Boy
https://www.instagram.com/purple.te...
follow Edgar Valente
https://www.instagram.com/edgaroval...
contact
bandua.musica@gmail.com
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