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On Friday, the 17th of May, Peckham Levels is set to amp up the volume with an electrifying night headlined by the trailblazing ensemble TUN (Torino Unlimited Noise) featuring no less than Dub FX, and Kensaye as the opening act. TUN (Torino Unlimited Noise), the boundary-pushing ensemble is here to redefine your music experience. Hailing from Turin, Italy, they’re not your typical jazz cats. TUN spices up their compositions with techno wizardry. The trio, comprised of Gianni Denitto on sax, Fabio […]...
Whether you know him as Matt Mansfield or by his stage name Piper Street Sound, his open-minded, dedicated and welcoming approach to music has made him a standout figure in the global beats and reggae scenes. His time with the ZZK family and his deep commitment to reggae and dub, both as a musician and a producer, have solidified his reputation for delivering both vibrant Latin rhythms and electrifying Afro-Caribbean vibes. Under the Piper Street Sound alias, Matt’s recent remix […]...
If you are lucky enough to find yourself in Bali this week, make your way to Ubud for the Indonesian Music Expo (IMEX), a four-day festival immersing you in the diverse sounds and rhythms of Indonesia. Now in its fourth edition and organised by dedicated and forward-looking musicologist Franki Raden, IMEX showcases an array of musical talent from across Indonesia’s 17,000 islands, reflecting the nation’s rich cultural mosaic. This year, the festival continues to highlight both traditional and contemporary Indonesian music, […]...
Ady and Kasia, our good friends behind the Hit the Road Music Studio adventure, spent two years during the pandemic in Morocco, operating a mobile recording studio where they produced over 120 songs and supported local artists. Catch a new episode of their journey and if you can, chip in to help them wrap up their their GoFundMe fundraiser. They’re just a few steps away from kick-starting their Music Production School in Morocco! This episode transitions from Morocco to Albania […]...
Kaya Project is a duo comprising musicians Sebastian James Taylor and Natasha Chamberlain, who have been blending oriental motifs with reggae rhythms for 20 years. Kaya Project’s music is light and sophisticated, evoking ‘Rastafarian vibrations’ as described by the musicians themselves and is reminiscent of the hot southern sun. Though based in England, their music is soulful and bright, conjuring dreams of warmth and summer—a contrast to the typically colder British climate. The album Transforming Sorrow, released in February 2024, […]...
LATEST POSTS
Interview: Mayssa Jallad – Music is Memory (May 2024)
Words by Marco Canepari / Photo by Ely Dagher
Interview: Q&A with SinaUbi Zawose & Pamoja Zanzibar – “The Power of Gogo Music Showed Us the Way” (April 2024)
Words by Marco Canepari / Photo by Valentin Rudloff
Album Review: Tarwa N-Tiniri – Akal (Atty Records; April 2024)
Words by Lucas Keen
Interview: Talking Ancestral Intelligence with Ibaaku (April 2024)
Words by Lucas Keen / Photo by DARKY
Interview: Q&A with The Sorcerers – Reimagining Ethio-Jazz In A Yorkshire Garage (March 2024)
Words by Marco Canepari / Photo by Ciaran Wilson
Album Review: Kolonel Djafaar – Getaway [Batov Records; April 2024]
Words by Ursula Billington
Interview: Avalanche Kaito – A Sonic Beast With Three Heads (April 2024)
Words by Marco Canepari / Photo by Tom Lyon
Album Review: Bassolino – Città Futura [Periodica Records; March 2024]
Words by Tatiana Narishkina
Interview: Savouring the Soup
with Bukky Leo (March 2024)
Words by Lucas Keen / Photos by Sandra Polo
Album Review: Cho Co Pa Co Cho Co Quin Quin – tradition [Time Capsule; January 2024]
Words by Tatiana Narishkina
Interview: Q&A with Ghoula – A Dance of Ancient Melodies with Electronic Beats
Words by Marco Canepari / Photo by Céline Meunier
Album Review: Daymé Arocena – Alkemi [Brownswood Recordings; February 2024]
Words by Lucas Keen
Event Review: BCUC @ Jam Jar
(Bristol; Wednesday, 13th March 2023)
Words and Photos by Ursula Billington
Album Review: Hysterrae – Hysterrae [Linfa Records; December 2023]
Words by Tatiana Naryshkina