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![Daily Discovery: The making of Daymé Arocena’s ‘Cubafonía’ [Havana Cultura]](https://www.rhythmpassport.com/wp-content/uploads/2017/03/81855hqdefault-335x251.jpg)
![Album Review: Gilles Peterson: Havana Cultura Anthology [Brownswood Recordings, 2nd December 2016]](https://www.rhythmpassport.com/wp-content/uploads/2017/02/a2290789108_10-335x335.jpg)
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Album Review: Gilles Peterson: Havana Cultura Anthology [Brownswood Recordings, 2nd December 2016]
This is the ‘anthology’ of modern Cuban music that embodies the diversity of a new generation of artists beyond the Buena Vista Social Club legacy. This is also the ‘anthology’ that embraces a good number of Afro-Caribbean rhythms – son, salsa, reggaeton, hip-hop, Latin jazz, among many others – linked...
Despite jazz’s being born to warm weather New Orleans, a city full of “elaborate wedding-cake ceilings, wide sliding doors, tall French windows” to quote New Orleans native Truman Capote, the music has always adapted itself to cold weather living pretty well. If a life of surrounding swamps, deltas, briar patches,...
13/07/2016 7:30 pm Dayme Arocena / Leon Thomas Songbook: Church Of Sound Church Of Sound, London
Usually it would be rude to reveal a woman’s age, but there are always exceptions. Especially when it comes to an impressive young musician, composer, arranger and choir director who, at the age of 24, has already released two albums, toured the world, signed for Gilles Peterson’s label Brownswood Recordings,...
As it’s happening since 2001, for ten days in April, London sounds and plays Latino. The responsibility rests on ¡COMO NO! which, 15 years ago, started to organise one of the most chéveres Festivals of the London music scene. La Linea has indeed brought to the British capital some of the finest,...
21/04/2016 7:00 pm Daymé Arocena / La Linea 16 / London April 21 Rich Mix, London
