We’ve partnered with Groovalizacion Radio to bring you a monthly collection of the best world music-related videos. That’s our way to give value to too often overlooked, rich and diverse artistic expressions.
MUSIC VIDEO FOR VOSSI BOP FROM STORMZY'S ALBUM HEAVY IS THE HEAD.
'THIS IS WHAT I MEAN' | OUT NOW: https://stormzy.lnk.to/thisiswhatim...
H.I.T.H VIDEO PLAYLIST: https://Stormzy.lnk.to/HITHPlaylist...
MUSIC VIDEOS PLAYLIST: https://Stormzy.lnk.to/MVplaylistID
SUBSCRIBE: https://Stormzy.lnk.to/subscribeID
BUY/STREAM 'HEAVY IS THE HEAD': https://stormzy.lnk.to/HITH
FOLLOW STORMZY:
https://Stormzy.lnk.to/signupIDhttps://instagram.com/stormzyhttps://twitter.com/stormzyhttps://www.facebook.com/stormzyoff...http://stormzy.com
PRODUCTION COMPANY: CAVIAR
DIRECTOR: HENRY SCHOLFIELD
EXECUTIVE PRODUCER: DANIELLA MANCA
PRODUCER: AMALIA ROSEN-RAWLINGS, JAVIER ALEJANDRO
PRODUCTION MANAGER: ZOE TRAVICA, ALICE WHITE
PRODUCTION ASSISTANT: DAPHNE DO, CHIROLLES KHALIL
D.O.P: KANAME ONOYAMA
STEADICAM: JOSH BROOKS, RICHARD LEWIS
FOCUS PULLER: SIMON LAKOS 1ST
AD: JAI LUSSER
ART DIRECTOR: OIAN ARTETA
CHOREOGRAPHER: SHAY LATUKOLAN
CASTING: KHARMEL COCHRANE @ KHARMEL COCHRANE
CASTING STYLIST: TERRI HIGGINS
IDRIS STYLIST: CHERYL KONTEH
MAKE-UP ARTIST: JESSICA SUMMER
EDITOR: VID PRICE @ TRIM EDITING
VFX: JIM ALLEN @ SCRAMBLE
ADDITIONAL POST: ENVY
COLOUR: ELECTRIC THEATRE
COLLECTIVE COLOURIST: LUKE MORRISON
LABEL: ATLANTIC RECORDS
COMMISSIONER: DAN CURWIN
STORMZY STYLING: MELISSA HOLDBROOK-AKPOSOE
STORMZY GROOMING: MARIA COMPARETTO
STORMZY HAIR: SLIDER CUTS
#MERKY #VOSSIBOP
Bomba Estéreo, Systema Solar - Carnavalera (Official Video)
Bomba Estéreo & Systema Solar – Carnavalera (Official Video)
Director: Pablo Crutzen Diaz
Productor: Mapi Jimenez
Casa Productora: Tres Hermanos
Música Disponible:
All DSPs: http://smarturl.it/Carnavalera
Apple Music: http://smarturl.it/Carnavalera/appl...
Spotify: http://smarturl.it/Carnavalera/spot...
Amazon Music: http://smarturl.it/Carnavalera/az
iTunes: http://smarturl.it/Carnavalera/itun...
Google Play: http://smarturl.it/Carnavalera/goog...
Redes:
Facebook: https://www.facebook.com/BombaEster...
INstagram: https://www.instagram.com/bombaeste...
Twitter: https://twitter.com/bombaestereo
LETRA:
Carnavalera
Carnavalera
Que siempre tiene lista la pollera
Carnavalera
Ella llega sin falta a la verbena
Carnavalera
En comparsa siempre con la calle llena
Carnavalera
De cumbiamba je! Prende la vela
Carnavalera
Carnavalera
Yo traigo alegría pa´mi corazón, pa´tu corazón, pa´ los corazones
Yo traigo alegría pa´mi corazón, pa´tu corazón, pa´ los corazones
Carnavalera
Pa´ tu corazón
Pa´ tu corazón
Pa´ tu corazón
Pa´ los corazones
Carnavalera
Yo traigo alegría pa´mi corazón, pa´tu corazón, pa´ los corazones
Carnavales con los vales con la carnavalera
Siempre la gozadera, pásame la maizena
Que la vaina esta buena, ven llega
Popopoponte pilo en la juega
Mira que la vida entera es pa´pasarla plena
Y tú, como tienes tu espíritu, tu virtud, tu salud, de la luz, qué felicidad que la vida da
Si está encendida
Alegría todos los días, que eso va, pa pa
Se desborde ya, la felicidad, en el carnaval, yo quiero bailar
Con la carnavalera
Carnavalera
Yo traigo alegría pa´mi corazón, pa´tu corazón, pa´ los corazones
Carnavalera
Yo traigo alegría pa´mi corazón, pa´tu corazón, pa´ los corazones
Carnavalera
Pa´ tu corazón
Pa´ tu corazón
Pa´ tu corazón
Pa´ los corazones
Carnavalera
Yo traigo alegría pa´mi corazón, pa´tu corazón, pa´ los corazones
Carnavalera
Pa´ tu corazón
Pa´ tu corazón
Pa´ tu corazón
Pa´ los corazones
Carnavalera
Vamo´ a arma´ una revolución con esta canción y felicidad
Con cantos que salen del corazón y con la intención vamos a bailar
Carnavalera
Carnavalera
Carnavalera
Que siempre tiene lista la pollera
Carnavalera
Ella llega sin falta a la verbena
Carnavalera
En comparsa siempre con la calle llena
Carnavalera
De cumbiamba je! Prende la vela
Carnavalera
Que siempre tiene lista la pollera
Carnavalera
Ella llega sin falta a la verbena
Carnavalera
En comparsa siempre con la calle llena
Carnavalera
De cumbiamba je! Prende la vela
Carnavalera
Carnavalera
Yo traigo alegría, alegría, alegría, alegría
Vamo´ a bailar toda la noche y el día
Carnaval en la alegría
Aquí hay fiesta de verdad
Esto empieza y no termina
Carnaval siempre será
Carnavalera
#BombaEstéreo #SystemaSolar #Carnavalera
Official Music Video of Bomba Estéreo & Systema Solar performing “Carnavalera”. (C) 2019 Sony Music Entertainment US Latin LLC
Umut Adan: Beykoz - taken from the album Bahar (Turkish Psychedelia)
Umut Adan’s unique brand of Turkish psychedelia draws on the heady influences of the 1960s Anatolian rock movement. With a truly vintage feel, Umut’s songs represent an important social commentary on the conflicting tensions of his homeland.
https://worldmusic.net/collections/...
Este video fue realizado en la región de Atacama, en la provincia de Copiapó y en el Parque Nacional Nevado Tres Cruces.
El río Copiapó está cada vez más seco por el otorgamiento indiscriminado de los derechos de agua. Quienes concentran estos derechos son las actividades económicas como la agricultura y la minería. Ninguna de las dos actividades está dispuesta a disminuir el uso del agua para restaurar la cuenca.
Se suele decir del agua que es un ‘recurso’; otros la han nombrado ‘reserva natural’, pero ¿reserva de quién? ¿Reservada para qué?
Reservada para su explotación y muerte en tiempos de desesperación y declive del hombre
y su ignorancia.
Los espíritus que conocen otro lenguaje, otra forma de ver y nombrar la vida nos muestran cómo se han menospreciado los aspectos femeninos de la vida y cómo se ha transformado a toda naturaleza existente en recurso de explotación.
Dirección: Newen Afrobeat
Idea creativa: Francisca Riquelme, Francisca Castro, Macarena Rozic, Klaus Brantmayer
Realización: Alejandro ‘Negro’ Espinoza, Marcela Toledo
Producción: Klaus Brantmayer, Marcela Toledo
Dirección de Arte: Francisca Castro, Camila Fuentes
Dirección de Fotografía: Carlos Astudillo
Cámara 1: Alejandro ‘Negro’ Espinoza
Cámara 2: Marcela Toledo, Matías Cerón
Dron: Matías Cerón, Alejandro ‘Negro’ Espinoza
Asistente de Producción: Oscar Rojas
Dirección de Movimientos - Intérprete: María Pinchulef
Montaje: Alejandro ‘Negro’ Espinoza y Marcela Toledo
Fx: Matías Cerón
Guía y logística: Daniel Alfaro, Andes de Atacama
Postproducción de Color: Thomas Woodroffe
Producción ejecutiva: Tino Canessa
Cántaros
Letra: Francisca Riquelme
Música: Alejandro Orellana
Grabado en estudios CHT
Mezclado y Masterizado por Juan Pablo Quezada (Prabha) en Santuario Sónico
Producido por Martín Concha
Agradecimientos:
Colectivo en Defensa del Medio Ambiente de Atacama (CODEMAA) https://www.facebook.com/codema.ata...
Luciano Travella Barrios
Parque Nacional Nevado Tres Cruces
www.lichensfamily.com/newen-afrobeat
From the album Support Alien Invasion, out on May 24
Buy/Stream : http://smarturl.it/supportalieninva...
Director : Stéphane Carpinelli
Dancers : Aurélie Zemire, Nicolas Zemire, Matias Aguayo
Wardrobe: Otti Ramírez
Art Director: Miriam Herreira
Editor: Camille Mandoki
First Assistant Director: Maria Egido Gonzales
Color Correction: Muscle Temple Lab
Special Thanks To Verbena Atelier, Agustin Power, Marc Serra
Baja Frequencia - Colombia feat. La Perla
Music Video by Fred & Annabelle
From Baja Frequencia's first album, "Hot Kats" ! Available here : https://CMR.lnk.to/HotKats (CD / Vinyl / Limited Edition Splatter Vinyl / Steaming).
Follow & Stream Baja Frequencia : https://CMR.lnk.to/BajaFrequencia
La Perla : https://www.facebook.com/laperlabog...
__________
Chinese Man Records :
http://www.chinesemanrecords.com
__________
Lyrics :
Elelele canto e' tambor
Sus sabores, sus paisajes, colores pa' enamorarse, música pa' deleitarse, llanura y selva, naturaleza perfecta.
Montaña espesa, mi selva húmeda, túpida y fresca, verde fruta jugosa, nativa tierra virtuosa, aquí estoy Cococolombia
Soy negro, indio y blanco, tantas aves, tantos cantos, volando vamos por Colombia, tierra bendita que enamora
Rap: lugar donde el mar se besa con el rio, tus flores, tu fauna, tu cielo de testigo, viendo cultivar la tierra al campesino, sudor en su frente que produce alimento divino.
Colombia diversa, tierra poderosa, llena de virtudes, tierra generosa, la mezcla del blanco, del indio y el negro, tres pieles que juntas dan sentido a tu suelo.
Suéname ese torbellino, un bambuco, un currulao, Suéname un seis por derecho pa' bailar de medio lao; que traigan las velas, que friten el pescao, que ya llegó La Perla con su ritmo bacaniao.
Libertad gritaba mi abuelo y así mismo canto yo, feliz de estar aquí mi pedazo e corazón, aquí en tu suelo, terruño mío
Magia en tus bosques tropicales, páramos, rios y mares, fuente y riqueza de vida, tus aguas no son mercancia
Y así se canta el bullerengue a puro pulmón, color vivo, lela
________
Thanks to the SPPF.
Lloviendo en Guatire - Insolito UniVerso
Maria Fernanda Ruette, lead voice / cuatro - Raul Monsalve, bass / vocals - Edgar Bonilla, keyboards / vocals - Andrés Sequera, drums / vocals
Album "La Candela del Rio", Olindo Records, 2018
Music and Lyics: Maria Fernanda Ruette
Produced by Macolm Catto, Raul Monsalve and Edgar Bonilla
Mixed by Malcolm Catto at Quatermass Sound Lab, London - Recorded by Frank Williams and Bernard Natier at Studio Garage La Fugitive, Paris
Art and storyboard: Maria Fernanda Ruette - Photography and editing: Anastasia Bly - Assistance : Camille Chauvet - Editing : Ingar Lieber Garcia
Esta es la hora toda,
ésta, la orilla del ahora
En fuera, en dentro,
encierra, entreabre : esta es la piel de cada gota
Este es el orbe todo,
este el ruedo del toro
En fuera, en dentro,
encierra, entreabre : esta es la miel de todo poro.
Llegué a la hora, al patio que me dijiste,
al cuarto descubierto donde me esperaste,
brillando en la humedad
Mira como bebe,
mira como cuenta el umbral de esta ventana
cada onda del charco
salpicando y dando su saludo redondo
Llueve afuera,
llueve el colmo,
estan lloviendo en Guatire
las peras del olmo
Download/Stream the track here - https://dalata.lnk.to/dakar
Download/Stream or buy album vinyl/CD here: https://dalata.lnk.to/birds
Our first official release in 3 years is here! We're kicking things off with a track called Dakar from our forthcoming EP. This instrumental track was inspired by the capital city of Senegal after having spent time there during the period of Ramadan in 2017. Needless to say a place of immense importance and inspiration for us.
The track was recorded in London, Dakar and Belo Horizonte, connecting the dots between these 3 cities which have been a fountain of inspiration for us throughout the making of our new album.
Dakar is available to buy on any of your favourite platforms. Please check this link.
Thank you!!
https://dalata.lnk.to/dakar
Order CD/LP/DL: https://goo.gl/WygZtR
Digital: https://IDOL.lnk.to/Laylet_El_Boore...
Release Date: April 5th, 2019
Fusing the rhythms and invocations of the ancient Saharan Banga ritual with an electrical storm of contemporary sonics, Ifriqiyya Electrique’s second album both grips and awakens.
In Tunisian, Banga means "huge volume” and one cannot think of a more apt description of Laylet el Booree than that.
Maximalist & relentless. Blood, sweat & trance.
In the West, music performances and audiences are widely cut from the same cloth. There is a secure dividing line between the stage and the hall, the audience and the performer. But profoundly different experiences can be found on the southern side of the Mediterranean Sea, deep in the Tunisian desert, where the group Ifriqiyya Electrique was born and has performed the most. Several years ago, two of the musicians who make up the five-piece Ifriqiyya Electrique - Gianna Greco and François R. Cambuzat - ventured to the Djerid desert of Tunisia to investigate and confront the religious ritual of the Banga, a ritual of legendary intensity indigenous to the region. The musical duo’s background is in the underground post-punk scene of continental Europe, as members of Putan Club and as collaborators with the venerable Lydia Lunch. But they are also voracious travellers and seekers of global sonics that are at least partially hidden from the western gaze. Previous trips to the Uyghur region of China and the Kurdish regions of Turkey had in part prepared them for the musical immersion they would undertake in Djerid. Their original intention was not to join in the ritual but rather to research how this unique ceremony delivered “pure elevation” to its participants. This state of elevation or trance, is something that they had experienced in their own music, and they were searching for instructive parallels and new perspectives.
But after living in, and travelling throughout the Djerid for years, things began to morph. The beginnings of a group began to take form. There was a shift towards direct engagement. Their first "appearance" ended up being in Nefta, in the city of Sidi Marzug. It was terrifying: after all the months of studying, filming, recording and bonding, could Ifriqiyya Electrique actually participate in the Banga ritual? The first ten minutes were in fact distressing, the Banga adepts from the town initially shocked. But eventually the locals recognized a shared music of the spirit and everything rocked together: people sang, danced, went into trances, were healed and the entity that became to be known as Ifriqiyya Electrique passed an unwritten test of inclusion. Remember: Ifriqiyya’s music was never composed for a Western audience in the first place. It was brought to life in real time, on the same streets in which the Banga has been practiced uninterrupted for centuries. Within the ritual there is no leader nor primadonna. It is a collective improvisation. Sufism. A ritualized, social bond where no one stands above anyone else.
The title of the second album Laylet el Booree translates as the “Night of the Madness.” It refers to the last part of the annual gathering of the adorcist ritual from the Banga of Tozeur – it is the night when the spirits actually take possession of the bodies. Like the ritual itself, the album is wild, frantic, and never caresses the listener’s expectations. But its purpose is also to heal; with sweat, spirituality, electricity and trance being central to the almost overwhelming sensory experience. With the band now joined by new member Fatma Chebbi (on vocals and tchektchekas hand percussion) one senses that the musical and cultural conversation is even deeper this time around. In fact, it doesn’t feel like a speculative conversation at all, but rather something fully formed and undeniable. An emergent ritual in itself.
Listen to the new album from Elaquent http://smarturl.it/BlessingInDisgui...
Performance by: Jason Ulysses
Directed/Edited by Ryan Calavano
Assistant Director: Colby Audette
#Elaquent #Beats #MelloMusicGroup
Sounds Beautiful Like The Truth
2019, Mello Music Group
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