Every month, we bring you a monthly collection of the best world music-related videos. That’s our way to give value to too often overlooked, rich and diverse artistic expressions.
Fusing modern dancehall with half time drum and bass More Fyah encapsulates the experience of the UK festival scene, bringing flavours of carnival, underground clubs and soundsystems together.
More Fyah was as commissioned as part of the live theatre production, KID_X. The show has been created by the combined skills of Bassline Circus, MHz and Feral. Mungo's Hi Fi were asked to write the music for the show and Eva has a starring role in the performance. It is showing throughout Scotland and beyond from April.
The title track is from the forthcoming album, 'More Fyah' out in July. The creation of 'More Fyah' was Funded Creative Scotland and PRS Foundation Open Fund.'
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Official music video for 'Muzi - Stimela Segolide'
Stream EP here : https://muzi1.lnk.to/StimelaSegolid...
“Mom used to tell me stories about how her parents had to take trains to JHB to go to em mines. How granma left her homeland to go clean up white people houses to put food on our table. How people left their farms to go dig up some diamonds/gold and how that fucked up the black family. These are the stories i’d like to tell in my music . We have to find ways of putting our history, culture into our art. Tell these stories ourselves. These are the visions. "
Afrovision 1 year anniversary free track : https://bit.ly/2w6IyAg
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Otun - Montoya feat. Nidia Gongora (Official Music Video)
Buy/stream 'Otun' now: https://montoya.lnk.to/otun
While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.
Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.
He eventually joined Fabrica, a “cultural subversion center” based in Treviso, Italy, which he explains as providing the creative framework for him to experiment with art, photography, film and design; evidently apprising the cinematic qualities of his music.
The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.
He himself described his attitude to songwriting as indebted to his love of cooking: “I love how certain chefs make combinations that make you think ‘are you crazy?’, I like to imagine myself as a chef who chooses his ingredients - in my case, indigenous voices, techno, and IDM - and try to combine them, creating a process that allows me to arrive at the final result represented by what comes out of this.”
So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.
On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.
Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”
Idea y dirección: Andrés Gómez
Protagonista: Faderly Valdez
Asistente de dirección: Jonathan Vargas
Direccion de fotografia: Mario Arroyave - Andres Gomez
Direccion de arte y vestuario: Sabrina Saab
Produccion general y ejecutiva: Andres Gomez
Edicion: Jonathan Varas - Andres Gomez
Colorizacion y post: Luis Rojas
Crack
Montoya www.musicmontoya.com
Spotify https://open.spotify.com/artist/52p...
Facebook https://www.facebook.com/montoyaaaa...
Instagram https://www.instagram.com/montoya_m...
Bandcamp https://montoya.bandcamp.com
London-based director Alex Tiernán returns to NOWNESS with a high-spirited music video for the Brazilian group, Heavy Baile. Soundtracked by the music collective’s infectious fusion of carioca funk and electronic music, this energetic film shows the journey of a neighborhood cook who shirks his responsibilities in order to dance the streets of Rio de Janeiro.
“The cook in this film resembles ‘the malandro’ of brazilian literature and music,” says Tiernán.“The malandro is a lovable scoundrel who eschews work and relies on his wit to sidestep authority. In a country that is deeply unequal he has become a national hero.”
Jonathan Neguebites, the dancer who plays the absconding cook, performs elements of the passinho, popping and locking, and chicago footwork with an exuberance that typifies the playfulness of modern Brazilian music and dance. “Carioca funk comes from the favelas and represents a lot of the malandro’s values of defiance and resourcefulness," says Tiernan. “Ultimately, this film is an expression of the unique spontaneity and genius of the Brazilian spirit”
See more Heavy Baile: www.youtube.com/user/heavybaile
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This is an official music video from our debut studio album, #bittersweetvol1, available on all digital platforms NOW!!!
Catch us in a city near you on the #bittersweetTOUR! Tickets available at oshuniverse.com/tour.
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Written by OSHUN | oshuniverse.com | @oshun | @oshuniverse
Directed by WhoTheWizz | @whothewizz
Starring OSHUN & Ile Osunfikayo Ile Ogundase | @alaje256
Song Produced by Proda | @praiseproda
Intro Music: “Iba Osun” by Osundara Oyawale, Chief Alaje | 256 Records
Production Design by Ile Osunfikayo Ile Ogundase for Osun Fest 2018
Wardrobe by Zunyda | @byzunyda
Make up by Nzingha | @nothingnessinadress
Jewelry by Uniquely Wired M | @uniquelwiredm_
Produced by Renee Esubola Smith & Chief Sekou Alaje
ALL inquiries: sumby@oakmgmtgroup.com
for any inquiries related to Ifa and Yoruba Spirituality visit 256HealingsArts.com
Gaye Su Akyol - Bir Yaralı Kuştum (Official Video)
İSTİKRARLI HAYAL HAKİKATTİR - CONSISTENT FANTASY IS REALITY
released 2018 on Dunganga Records and Glitterbeat Records
Subscribe to Gaye Su Akyol on YouTube: https://www.youtube.com/channel/UC9...
Söz & Müzik: Gaye Su Akyol
Düzenleme: Gaye Su Akyol, Ali Güçlü Şimşek, Görkem Karabudak
Yönetmen: Aytekin Yalçın
BİR YARALI KUŞTUM
Keder, feza üstüne
Yayılır elem içimden gökyüzüne
Onu benden çok sevmiş
Paramparça bir hikaye
Ömür ömür üstüne
Yaralar sirayet etmiş her yerime
İzini kaybettim artık
Yarım kaldı bu hikaye
Bi’ yaralı kuştum
Uçtum uçtum senden uzaklara
Acın içimde bıçak
Kesiyor damarlarımdan eski ben’i
Yakalandım sevda çölüne
Su ver yangınıma heyhat
Yıkın bu şehri yıkın
Sokağı, sevdamı, hatıramı yıkın
Geceler saklar sırlarımı
Bitmiyor bu yangın
Bi’ yaralı kuştum
Uçtum uçtum senden uzaklara
I WAS A WOUNDED BIRD
Blues all over outer space
Sorrow oozes out of me to the skies
He loved her more than me
A story in tatters now
Lifetime over a lifetime
Wounds have spread all over me
I’ve lost the track
A story unfinished now
I was a wounded bird
I flew and flew away from you
Your pain is a knife stuck in me
Cutting through my veins, the old ‘me’
I was caught in the desert of love
Alas! Come douse my fire with water
Ruin the city, ruin it
Ruin the street, my love, my memory
Nights keep my secrets
This fire never ends
I was a wounded bird
I flew and flew away from you
Bir Yaralı Kuştum
video
Directed by: Aytekin Yalçın @aytekinyalcin
DOP: Serdar Özdemir @srdrozdmr
Editor: Doruk Kaya @dorikkaya
Colorist: Elif Tekneci
VFX&CGI Artist: Ayhan Uruk @ayhanuruk
Production Design: Sarp Prodüksiyon @sarproduksiyon
Line Producer: Şiran Akgün @sheradise
Unit Production Manager: Sedat Dilsiz @sedattdilsiz
Production Assistant: Ömür Murat Uruk @omururuk
GSA Make up: Rıfat Yüzüak @rifatyuzuak
GSA Styling: Rabia Yaman @rabiaymn / GSA
GSA Necklace: Zeitgeist by Chloe @zeitgeistbychloe
GSA Hair: Murat Bulut @mrbuluttt
Choreographer: Büşra Firidin @busrafiridin
Focus Puller: Ulvi Çakmak @ulvickmk
Gaffer: Muratcan Yozgatlı @muti
Taxi Driver’s Costume: Koral Sagular @koralsagular
Band’s Mask Design: Sadi Güran @sadiguran
Cast Styling: Rabia Yaman @rabiaymn
Cast Make-Up: Nihal Dinç @nihaldncc
Yardımcı Cast Sorumlusu: Pınar Satılmış @pinars87
Costumer: Gizem Diler @istiridyekiz
Decor By: Ece Nur Uruk @ecenururuk
Key Grip: Ersin Yıldız
Cast: Didem Soydan, Ali Güçlü Şimşek, Görkem Karabudak, Kübra Uzun, Gia, İris Mozalar, Süha Kurtuldum, Benhür Işıksal, Ezgi Ulusal, Furkan Yılmaz, Aminu Mustapha, Nezahat Oynar, Zekeriya Yesir
Special Thanks To: Sadi Güran, Ali Güçlü Şimşek, Görkem Karabudak, Gökhan Doğum, Fatma Okumuş, Hazal Gürel, Melikşah Altuntaş, Aylin Güngör, Hakan Dedeoğlu
Get Gaye Su Akyol's third studio album İSTİKRARLI HAYAL HAKİKATTİR now:
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Emicida - Eminência Parda part. Dona Onete, Jé Santiago e Papillon
Música:
Letra: Emicida, Jé Santiago e Papillon
Voz: Emicida, Dona Onete, Jé Santiago e Papillon
Música: Nave
Gravadora: Laboratório Fantasma
Direção Geral: Evandro Fióti
Produção executiva: Raissa Fumagalli
Assistente de produção executiva: Lohana Schalken
Mixagem: Maurício Cersosimo
Masterização: Maurício Gargel
Preparação vocal Emicida: Thiago Jamelão
Gravado por Emicida no estúdio Paraíso dos Novos Ricos e por Tofu Valsechi no Lab Estúdio
Dona Onete interpreta "Cantiga de caminho", obra em domínio público do folclore brasileiro. E foi gravada por JP Cavalcante & Geraldinho Magalhães num quarto de hotel durante turnê com Dona Onete pela Oceania em março de 2019.
Clipe:
Roteiro: Emicida e Leandro HBL
Direção: Leandro HBL
1º assistente de direção: Pietro Sargentelli
2º assistente de direção: Giovanna Postglione
Direção executiva: Evandro Fióti
Coordenação executiva: Raissa Fumagalli
Produção executiva: Lohana Schalken
Coordenador de produção: Luis E. Milliet
Produção: Marcela Sutter
Direção de fotografia: Vagner Jabour
1º assistente de câmera: Bernardo Nunes Nielsen
2º assistente de câmera e logger: Elisa Manuella Ratts
3º assistente de câmera: Sabrina Cristina Duarte
Coordenação de pós produção: Diego Nascimento
Montagem: Talles Martins
Edição extra: Lucas Rangel
Diretor de produção: Amiten
Produtor: Fábio Augusto Rosa
Produtor de locação: Rodrigo
Assistente de produção: Bruno Azzi, Thiago Pupo de Almeida Mercês e Gustavo Bueno Dantas
Produção de elenco: Rodrigo do Santos Correa e Viviane Barbosa Simões
Preparador de elenco: Flavio Nastasi Falcone
Caracterização: Daniela Gonc
Som direto: Samuel Braga
Produtor de figurino: David Loreti
Assistente de figurino: Rebecca Beolchi Vieira
Maquiagem: Eliana Mendes de Oliveira
Assistente de maquiagem: Karina H. Pedrosa
Assistente de maquiagem e cabelo: Monica Barboza da Cunha
Diretor de arte: Marcelo Larrea
Produtora de objeto: Fernanda Vilarinho Bley
Assistente de arte: Aristides Coimbra
Chefe de elétrica: José Adalberto de Paula
Assistente de elétrica: Alexandro Alves de Brito
Maquinaria: Marco Antonio Almeida
Assistente de maquinaria: Marcelo Lopes de Andrade Leite
Contra regra: Leandro Paulino de Souza e Marcio Parafina
Elenco: Bruna Misio D’Col, Buiu, Dani Moreno, David Wendefilm, Dudu Sá, Fábio Mazzini, Fania Espinosa, Livia Camargo, Marco Marfia, Nill Marcondes, Paulo Balistrieri, Roberto Borenstein, Vensam, Victoria Reis, Vitória Kétlyn, Telma de Araújo e Yraió
Parcerias: Warriors VFX, Psycho In Look e Cabaret
Um produção Laboratório Fantasma Produções
Sarazino feat. Toots Hibbert & Albert Watson "People" - (OFFICIAL MUSIC VIDEO)
Sarazino is the alter ego of singer, songwriter and producer Lamine Fellah. Born in Algeria and now living in Ecuador, Sarazino recently released his third album, "Mama Funny Day" with Cumbancha. For more information: http://www.cumbancha.com/sarazino
Cumbancha Store: https://bit.ly/2oeDuWN
iTunes: https://apple.co/2wkdKfW
Amazon: https://amzn.to/2NmmSay
Spotify: https://spoti.fi/2MWNGB2
Apple Music: https://apple.co/2PdkgML
Sign up for updates at http://eepurl.com/bKNe
From the Album: "Mama Funny Day"
Out now on Cumbancha (http://www.cumbancha.com)
Production: TMFcine
Producer: Daniela Ribadeneira & Jonatan Schutz
Director: Pett
Camera: Andres Cornejo, Daniela Ribadenira, Pedro Alvarez
Editing: Daniel Prieto
Post-Poduction: Baby Pride & Pett
Filmed in Esmeraldas, Ecuador
In Memory of Michael Cacia
"People" Music by Lamine Fellah, Lyrics by David Greenberg & David Siskovic. Published by Cumbancha Music Publishing (BMI).
LYRICS:
Make love your religion
And forgiveness your mission
Don’t let greed cloud your vision
Just make love your religion
People !
I know!
Go for the money!
Go for their homes!
Everybody need a little time alone
Everybody want to feel safe at home
They keep running running up that hill
Running running but they just stand still
Everybody need a little time alone
Everybody want to feel safe at home
They keep running running chasing that dream
Running running but they want to be free
Cimarrón - Tonada de la palomita (Official Music Video)
“Tonada de la Palomita” by Cimarrón from the Latin Grammy Nominated Album ORINOCO.
🎵 Play and download ORINOCO here:
Spotify https://spoti.fi/2Wcv1pz
Youtube Music https://bit.ly/2w6Wj2a
iTunes https://apple.co/2VJRnPU
Apple Music https://apple.co/2Hwvmdr
Deezer https://bit.ly/2VzPPTr
🎵 Follow Cimarrón!
Official website: https://cimarroncolombia.com
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Spotify: https://spoti.fi/2E7vpvW
Letra
Interpretada por Cimarrón
Álbum: Orinoco (2019)
Palomita, palomita
Párate con atención
Recibe cuatro palabras
De este pobre corazón
Palomita, nube de agua
El pensamiento se acaba
Y se muere el corazón
En lo que nunca se muere
Te llevo escondida yo
Palomita, nube de agua
Paloma, no salgas fuera
Mira que soy cazador
Que si te tiro y te mato, paloma
Para mí será el dolor
Palomita, nube de agua
Si te preguntan quién canta
No digas que ese fui yo
Diles que cantó en tu rama
Turpial madrugador
Palomita, nube de agua
These are Cerros de Mavecure, three marvelous monoliths hidden in Colombian Amazonian jungle. In the heights of this Indigenous spiritual mountains, over the fury of the Inírida River, a beautiful song called “Tonada de la Palomita” evokes of cow-milking songs that peasants from the Plains of Orinoco took as heritage from ethnical oral traditions.
Directed by Jeremiah.
Production consultancy and audio mixing by Samuel Lizarralde.
#CerrosDeMavicure #Amazonas #Orinoco
Systema Solar - Es El Amor (Video Oficial)
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Suscribete a nuestro canal: http://bit.ly/2ZuVHRi
Letra
Es el Systema Solar
El Systema para que sepa
Es el amor
Es el amor
Es el amor
Es el amor
El amor es una cosa maravillosa
Como la oreja rosa, que en mi mente se posa
Como alguna mariposa, por amor a vivir
A existir, a reír, a seguir ir
Es el amor y no deprimirme, no sirve
La vida sin amor, a todo color
Para quitar dolor enorme, del hombre
Que no ve todo lo que sucede
Hermosura pura, del amor que cura
Toda cosa dura, una a una que no quepa duda
Como dice Willy, todo suma
Es que el amor solo trae felicidad, más na'
Es el amor
Es el amor
Que se meta en tu vida
Y te despierte toda la pasión
Que te encienda los sentidos
Como volcán haciendo erupción
Y te guía en el camino, sin complicación
Es el amor
Es el amor
Es el amor
Yo vivo por el amor
Yo vivo entregando amor
Es el amor
Es vivir y rimar en salud
Es el amor
Es el amor
Es el amor
Es el amor
Es el amor
Es el amor
Es el amor
Es el amor
Es el amor
El systema solar
Es el amor
Es el amor
Playlist Alternativa: https://onerpm.lnk.to/LatinoAlterNA...
Playlists del Systema Solar:
➤Discografía completa: http://bit.ly/2DsYO2Q
Más del Systema Solar:
🌴: https://bit.ly/2Dv6tNY
🔥: https://bit.ly/2ZxBquv
🌊: https://bit.ly/1Gyixc0
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#11Son11 #LoMejorDelSystema
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