Every month, we bring you a collection of the best world music-related videos. That’s our way to give value to too often overlooked, rich and diverse artistic expressions.
digital buy: https://galathea.bandcamp.com/album...
stream: https://open.spotify.com/album/4rDl...
Cameramen by Vincenzo Alberino - Producer Angelica Malaika - Director by Marcello Bumbica
Taken from the album Galathea on Space Echo Records SED802 release date June 18th, 2021
Music by Massimo Napoli e Salvo Bruno
Produced by Massimo Napoli (Galathea) for Space Echo Records
2021 Space Echo Records - www.spaceecho.it
Lead single off the debut album 'An Echo In Her Skin' by JARR, a collaborative project between British musicians Yellow6 & Wodwo.
CD + Digital: https://hushhushrecords.bandcamp.co...
Manudigital "Noumea Hotel Room" official video taken from "Dub Trotter" EP available here 👉 https://www.xrayproduction.com/cate...
Stream "Dub Trotter" here 👉 https://smarturl.it/ManuDubTrotter
SUBSCRIBE FOR MORE ☛ http://bit.ly/ManudigitalYouTube
🚌 On tour 👉 https://linktr.ee/manudigital
● Réalisation et scénario: Maurin Garcia pour Beasts&Beats
beastsnbeats@gmail.com
● Montage et FX: Ivory Concept pour VPCOM
https://vp-com.com/https://www.facebook.com/VPCOMMUNIC...
● Direction graphique, animations et FX: Charles Paradis pour Acides animés
acides.animes.studios@gmail.com
● Décor et artworks: Sioul le jardinier
gardinierlouis@gmail.com
Manudigital is back today to present “Dub Trotter”, his first and highly anticipated dub EP. Manudigital recorded this EP on the road during the last two years of tour around the world, hence the name of "Dub Trotter" in the manner of a globetrotter (Manudigital was 13th in the Live Export Awards of Le Bureau Export in 2019 - 130 gigs / 20 countries). Each track is named after where it was composed: "Mexicali", "Canada Airport", "Noumea Hotel Room"...
Manudigital revient aujourd’hui nous présenter « Dub Trotter », son premier et très attendu EP dub. Cet EP, Manudigital l’a enregistré sur la route lors des deux dernières années de tournée à travers le monde, d'où le nom de "Dub Trotter" à la manière d'un globe-trotter (Manudigital était 13ème au Palmarès Live Export 2019 du Bureau Export - 130 dates / 20 pays). Chaque morceau porte le nom de l'endroit où il a été composé : "Mexicali", "Canada Airport", "Noumea Hotel Room"...
🇬🇧 With 2 solo albums ("Digital Pixel" in 2016 and "Bass Attack" in 2018), ten EPs and more than 500 gigs around the world, Manudigital has become in a few years one of the most look-after French beatmakers on the international Reggae scene.
Manudigital has collaborated with numerous artists from all over the world such as Walshy Fire, Alborosie, Beenie Man, Soom T, Skarra Mucci, Babylon Circus, Biga Ranx, Panda Dub and many others and hides behind countless albums, singles and maxis in which one can immediately recognize all his savoir faire and unique sound signature.
Followed by more than 115,000 subscribers and counting 34M views on his YouTube channel, Manudigital is also known for his video concepts such as the essential “Digital Kingston Session”. With his Casio MT40 aka "Sleng Teng Keyboard", he sets out through the streets of Kingston, New York and elsewhere, in search of singers from the golden age of digital Reggae. Artists such as Capleton, Elephant Man, Queen Omega or Junior Cat meet Manudigital and his portable keyboard for a live street mash up session of their hits.
After having produced a dub EP in 2020, Manudigital is about to release an EP in collaboration with French song crooner Camille Bazbaz.
In 2022, the one who was in the top 10 in the Bureau Export's 2019 Live Export Awards, will finally be back on the road to venues and festivals with his overpowering electro-dub show accompanied by his incredible MCs! In the midst of all this excitement, Manudigital will also take the time to enter the studio to record his 3rd solo album scheduled for 2023!
FOLLOW MANUDIGITAL :
● WEBSITE ☛ http://bit.ly/ManudigitalOfficialWe...
● FACEBOOK ☛ http://bit.ly/ManudigitalFacebook
● TWITTER ☛ http://bit.ly/ManudigitalTwitter
● INSTAGRAM ☛ http://bit.ly/ManudigitalInstagram
● WEBSITE LABEL ☛https://www.xrayproduction.com/
#Manudigital #NoumeaHotelRoom #DubTrotter
ABADIR and Pie Are Squared: Wujidat
Akuphone AKU1032
Video by L'Aubaine
Songs:
Al-Anesa Malak - Ya Am Ya Khali
Laure Daccache - Munyati Ezz Istibari
Aziz Osman - Ansuna wa Taaloulna Tamalli
Recomposed by ABADIR & Pie Are Squared
Visit:
It’s 2120, it’s been 10 years since the WHO’s latest health guidelines signaled the end of music. Noises over 30 dB are no longer allowed, and global governments have imposed strict laws to ensure that these regulations are enforced. Noise detectors are now planted everywhere, and noise levels are subject to constant surveillance.
Talking is discouraged, yelling is a criminal offence, singing is now a foreign concept to younger generations. Courses designed to rid musicians and music lovers of their desire to sing or play instruments have been deemed a resounding success.
It must have been exciting for her to find this tape on a walk by the riverside, even though she had no idea what it was and how to use it. Many would have been tempted to discard it, probably rightly so, but Yolande Khouzam had been an Acoustics Researcher before the obsolescence of the entire discipline and this object seemed vaguely familiar to her.
We’re not sure if she managed to find a way to play it. If she did, it would’ve been badly mangled, the sounds at times completely indiscernible, especially towards the end of each side. We’re not sure if Arabic was one of the 4 remaining languages, if it was, she would be able to tell that these are songs from a completely different time, played with instruments that she hadn’t heard before. The music seemed to come from the same era, but as the mixtape progressed, the instrumentation, scales and sound seemed to gather a more western influence. Using whatever resources she could find, her research helped her trace most of the recordings and she dated them to the early 20th century, mostly between the 1920’s and 1940’s. She found that the change in sound, scales and instrumentation over the duration of the mixtape, with a more pronounced Western influence on the more recent songs could be attributed to a Congress of Arab Music that reportedly had been held in Cairo in 1932 under the patronage of King Fuad I. That remains only a guess for now.
While no legible writings were found on the cassette tape, she did find an archived online review of a mixtape released almost a century before her time which seemed to contain something very similar to the tape she found. The tape, titled Wujidat w as made by Egyptian musicians ABADIR and Pie Are Squared to experiment with dissecting and degrading traditional Egyptian songs by known and unknown artists. What Yolande might have assumed was a mixtape made to provoke nostalgia, was almost the exact opposite of that. What made it even more intriguing is that the mixtape she found had been intentionally made to sound broken and degraded.
Charlie Parr - "Last of the Better Days Ahead" [Official Music Video]
Watch the official music video for "Last of the Better Days Ahead," the title track and first single off Charlie Parr's upcoming Smithsonian Folkways debut.
'Last of the Better Days Ahead' available July 30, 2021, on CD, 2xLP, and digital.
Pre-order/stream:
Smithsonian Folkways: https://folkways.si.edu/charlie-par...
All other platforms: https://orcd.co/charlie-parr-last-o...
Lyrics:
Money can’t buy back that ʼ64 Falcon that you sold in your 20s and then regretted it was gone because you thought it contained some meaning or some answers to a life that you never bothered to question or even take a good close look at
And it broke your heart to see how it had been so important from the feeling of the steering wheel to the rubber on the road and now it’s grown to unrealistic proportions in your mind
Now you’re in your 50s why can’t you forget how the chrome bumpers shined in the sun if you could just go back even for a minute you could forget how you don’t even know what it was you’ve lost
Why do you always feel so empty in spite of all you have were those feelings you remember even real and were they honestly about some junky old Falcon or any other thing that you could own
Because now it’s all so stale and you feel so very old like you’ve taken all your chances and tossed them all aside for some stupid piece of metal like shiny bits of trash that line the stolen nest of a greedy neighborhood crow
So you drive back to your hometown to visit with your past but nothing looks the same anymore except you can see all that you squandered while you were shining all that chrome you were handed all you needed without cost but you were too blind to see it and you took it all for granted now you wanna complain—tell me just what was it that you’ve lost
And now you start to panic and your gas is running low and you need to find some meaning before you’re stranded on the road and when the engine finally dies near a soybean field at dusk you just sit and watch the sunset turn the entire sky to rust
---
Charlie Parr’s newest album, Last of the Better Days Ahead, is a collection of powerful new songs about how one looks back on a life lived, as well as forward on what’s still to come. Its spare production foregrounds Parr’s poetic lyricism, his expressive, gritty voice ringing clear over deft acoustic guitar playing that references folk and blues motifs in Parr’s own exploratory, idiosyncratic style. When it comes to what it all means, Parr says it best:
“Last of the Better Days Ahead is a way for me to refer to the times I’m living in. I’m getting on in years, experiencing a shift in perspective that was once described by my mom as ‘a time when we turn from gazing into the future to gazing back at the past, as if we’re adrift in the current, slowly turning around.’ Some songs came from meditations on the fact that the portion of our brain devoted to memory is also the portion responsible for imagination, and what that entails for the collected experiences that we refer to as our lives. Other songs are cultivated primarily from the imagination, but also contain memories of what may be a real landscape, or at least one inspired by vivid dreaming. The album represents one full rotation of the boat in which we are adrift—looking ahead for a last look at the better days to come, then being turned around to see the leading edge of the past as it fades into the foggy dreamscape of our real and imagined histories.”
Charlie Parr: http://www.charlieparr.com
Facebook: https://www.facebook.com/Charlie.Pa...
Twitter: https://twitter.com/theCharlieParr
Instagram: https://www.instagram.com/charlie.p...
Smithsonian Folkways: https://folkways.si.edu
Facebook: https://www.facebook.com/smithsonia...
Twitter: https://twitter.com/Folkways
Instagram: https://www.instagram.com/smithsoni...
The content and comments posted here are subject to the Smithsonian Institution copyright and privacy policy (www.si.edu/copyright). Smithsonian reserves the right in its sole discretion to remove any content at any time.
The Funkin' Machine feat. Speaker Cenzou - L'Ora d''o Groove
Testo -
Buongiorno a te ca mo arape ll’uocchie
ca comme e mme spisso pienze troppo
ma tu nun si fatto pe’ te chiagnere ‘ncuollo
l’ha ‘itt pure James Brown “ i know you got soul “
Si chiove o iesce ‘o sole scinne e nniente ‘e nuovo
ma tu tiene genio
e n’tené mente ‘a ggente
ca’ t’appesta sempe , te ne ‘a vere’ bbene
piglia l’indecisioni e preoccupazioni
e mmiettele a pparcheggio
‘a vita è ccomme a ‘na femmena
e tte fa ‘na pusteggia
Si sta jurnata arape l’uocchie già stressato
‘a sveglia sona stu sound
pecché è ll’ora d’’o groove.
Si stamattina t’he’ scetato già ‘ncazzato pecché stai senza ramm’
scinne e nun ce penza cchiù.
So’ sciso ’a coppa ‘o sciaraballo
comme ‘o zappatore mo me soso e abballo
si me siente tu t’azzicche ‘a sindrome e’ Stendhal
si tiene ‘o ppoco ‘e funk : Fallo
‘o Groove sona bello senza fusi orari
‘a sveglia m’ha scetato si ma vatte ‘e n’aria
ca stamattina ‘a vita tene n’ata faccia
secuto stu mumento comme a Starsky e Hutch
stongo ‘e casa dint’ ‘o groove d’ ‘o ’76
e ‘a Macarena mia se chiamma “Soul Train”
si ancora nun l’he’ capito ‘o ppuò’ capi’ d’ô Sound
ca mo addò jammo jammo è ssempe “Funkytown”
'ncapata cu sta musica parte ‘a Machine
simmo comme gli Avengers
simmo ‘o Dream Team
‘a capa toja s’abboffa comme ‘e rrote d’ ‘o SUV
si m’addimanne “che ore so’ ?” ‘o frà’ è ll’ora d’’o groove.
Si sta jurnata arape l’uocchie già stressato ‘a sveglia sona stu sound
pecché è l l’ora d’’o groove
Si stamattina t’he’ scetato già’ ‘ncazzato pecché stai senza ramm’
scinne e nun ce penzà cchiù
Zupp’ ‘e Latte e Funk .. Zupp’ ‘e Latte e Funk .. Zupp’ ‘e Latte e Funk .. Zupp’ ‘e Latte e Funk .. Zupp’ ‘e Latte e Funk .. Zupp’ ‘e Latte e Funk .. Zupp’ ‘e Latte e Funk .. Zupp’ ‘e Latte e Funk ..
.
.
.
Zuppa 'e Latte e Funk:
un piatto che viene dalla tradizione
e automaticamente si interpone
tra il funk e la colazione
attore: Guido Polese
Video diretto da @Frè
brano estratto dall'album "Allerta Meteo"
https://periodicarecords.bandcamp.c...
Includes digital, MP3, FLAC and more
ESINAM - NEW DAWN feat. Nadeem Din-Gabisi (Official Video)
‘New Dawn’ is the first single from ESINAM’s upcoming first full album
(03.09.21 on W.E.R.F. Records).
ESINAM Album release's show at Botanique - Brussels 17.09.21
Come and join us for this special night:
hhttps://botanique.be/fr/concert/esi...
Music composed, played and produced by ESINAM
Vocals & poem by Nadeem Din-Gabisi (London)
Mixed by Jonathan Vanneste (Brussels)
Mastered by Kelly Hibbert – Almachrome (Los Angeles)
Video directed by Esinam & Selasi Dogbatse
Shot in Ghana (Accra & Volta Region)
Video team:
Scilla Owusu (theyoungtrepreneurs)
Kwame Black
Dancers:
Illy boy
Eflex
Selasi Dogbatse
Starring: Sitsofe & Dzifa Ati
Color Grading by Maxime Tellier
__________________________________
"Wanted to undo what the herd had said
Listen to the few who heard then said
Speaking with a wisdom not of my head
That’s the fruit of the divine that e-entered
Touched my tongue, had me speaking with the c-entered
Balanced vision seeking wisdom not no pleasantries
Adulation applause what do I do with these?
Peace of mind I search to find, I must do better
Go deeper, look further than the eye doth see
Slay the beast, dragons, demons that be in my head
Close the curtain on illusion.
Open door, see the day
Let the light, bright light, show me the way
Just before the dark reign and cycle, it start same
If light go, it go come again
In storm, shout maintain
Just before the dark reign and cycle, it start same,
If light go, it go come again
Open door,
See the day,
Let the light,
Bright light
Show me,
Show you,
New way,
New way"
Nadeem Din-Gabisi
https://www.instagram.com/nadeemdin...
________________________________________________
A big thank you to Nadeem for his poetry. Big thank you to all the people who made this video possible. Huge thank you to my Sister. Shout out to IllyBoy and EFlex. Thank you for your art of dancing. Thank you to the video team in Ghana. Big thank you to my whole family, my cousins, my father, my Auntie Charlotte for the love and support.
FOLLOW ESINAM:
OFFICIAL WEBSITE: https://www.esinamdogbatse.com
INSTAGRAM: https://www.instagram.com/esinam_do...
FACEBOOK: https://www.facebook.com/Esinamdogb...
BANDCAMP: https://www.esinam.bandcamp.com
SPOTIFY: https://spoti.fi/3fuXrEu
TOUR DATES: https://www.songkick.com/artists/93...
Management & booking: https://www.aubergineartistmanageme...
Lucidvox - My Little Star (Звёздочка) (Official video)
Taken from the album "We Are"
CD/LP: https://bit.ly/lucidvox
Stream/DL: https://idol.lnk.to/We_Are
Lucidvox are an influential voice in the burgeoning Russian DIY rock scene. Incendiary mix of atmospheric psych-rock, heavy riffs and Russian folk mystery.
My Little Star is about a young girl who lost the most important thing in her life – her mother. People say that those that are closest to you, will never leave you and will always be there. All the time this young girl looks for her own star, one that shines more vividly than all the others in the world. But the thing that she actually finds is a little star inside of herself - and that becomes for her the star that shines the brightest.
Written by Nadya Samodurova
Directed by Egor Sheremetyev
Starring | Еkaterina Zhelnina and Irina Zhelnina
Dancers |
Ekaterina Karpova
Kristina Kim
Elizaveta Stepanova
Darya Frolova
Maria Zhdanova
Arina Shatunova
Mira Epelman
Elena Khodareva
Elizaveta Koshkina
Lucidvox |
Alina Evseeva
Galla Gintovt
Anna Moskvitina
Nadya Samodurova
Producer | Anna Fedorenko, Andrey Ukolov
Co-director | Yulia Savitskaya
Operator | Dmitriy Ekimov
Production designer | Anna Gavrilina
Costume designer | Alina Nigmatulina
Prosthetic artist | Margarita Stepanova
Choreographers | Elizaveta Koshkina & Vera Sannikova
Executive producers | Andrey Ukolov & Polina Shalunova
Production assistant | Sergey Fomin
Casting assistant | Aleksandra Khmelinina
Location manager | Olga Khudoshina
Gaffer | Andrey Sevostyanov
Focus puller | Aleksander Savelyev
Lighting technicians | Kirill Pastukhin & Dmitriy Zorin | Mihail Korneev
Property master | Mihail Maksimov
Costume designer assistants |Aislu Mursalimova & Sofia Ivanova & Zhinan Dzhaber
Make-up artists | Daria Vladimirova & Varvara Klyushkova | Elena Maksimova
Stage staff | Nikolay Arutyunov & Aleksey Tarvi & Anton Belyakov & Ivan Biryukov & Askold Peshkov
Stage installation | Gleb Krohin
Photographer | Philipp Zaytsev
The film crew thanks all the staff of The Gorky Moscow Art Theatre and would like to express special gratitude to artistic director Eduard Boyakov and music producer Vasily Pospelov for their active involvement in organizing and conducting the filming.
Kishi Bashi - Wait for Springtime (Official Video)
"Wait for Springtime" by Kishi Bashi off 'Emigrant EP' out on Joyful Noise Recordings.
Director: Kishi Bashi
Illustrations: Phil Jasen
Animator: Geoff Hoskinson
Puppetry: Phil Jasen, Alan Guerra, Klée Schell
Stream the audio: https://lnk.to/Emigrant-EPID
12" Clear EP/Digital: http://joyfulnoi.se/KBEmigrantEP
Lyrics
-------------
the magic of the seasons
were second to no one
when we came to gather in springtime
the summer came to fast
the acre of our hill
was suddenly big and small
’twas empty in the winter
I’ll just wait for springtime
i wanted you so savage
as a gentleman admirer
the most famous of the sinners
we were silenced all but one
I was reaching for the stars
but rockets fare thee well
oh the view on earth is magic
I’ll just wait for springtime
(wait for springtime)
Sunny days are behind every clouds up in the sky
winter’s coming from above and below
we’ll be ready some how
heaven save us for now
(heaven save us from the rain)
wait for springtime
(wait for springtime)
They sentenced us forever
imprisoned for no crime
our hearts are made of tender
With no room to nickel and dime
When the carriage stops at night
Will you think of my farewell?
The music plays in silence
I’ll just wait for springtime
(I’ll just wait for springtime)
I’ll just wait for springtime
Sunny days are behind every clouds up in the sky
winter’s coming from above and below
we’ll be ready some how
heaven save us for now
(heaven save us from the rain)
(wait for springtime)
#WaitForSpringtime
#KishiBashi #EmigrantEP
Little Simz - Woman feat. Cleo Sol (Official Video)
"Woman" featuring Cleo Sol is taken from my new album 'Sometimes I Might Be Introvert'. Listen/buy now: https://littlesimz.ffm.to/simbi.oyd
Listen to "Woman" ft. Cleo Sol now: https://littlesimz.ffm.to/woman.oyd
SUBSCRIBE: https://littlesimz.ffm.to/youtube.o...
Directed by Little Simz
Music produced by Inflo
Creative Directed by Little Simz & Jeremy Ngatho Cole
Guest features
Jourdan Dunn,
Zeze Millz,
Sienna King,
Kesewa Aboah,
Denai Moore,
Miraa May,
Alewya,
Nish Rowe,
Joy Crookes,
Caroline Adeyemi,
Peju Adeyemi
Dancers
Esme Benjamin
Mira Jebari
Anna-Kay Gayle
Elishia Edwards
Nathalie Zangi
Anmol Kaur
Production Company PRETTYBIRD UK
MD/Exec Producer Juliette Larthe
Exec Producer Chris Murdoch
Producer MrMr
Production Manager Lucy Bradley
Production Assistant Ella Knight
1st AD Ed Bellamy
2nd AD Ato Yankey
3rd AD Sonny McMillan
DOP Rina Yang
1st AC Brendan Harvey
2nd AC Chris Rogers
Steadicam Josh Brooks
Camaera Trainee Adenike Oke
Grip Jamie Monks
DIT Jayson Hunte
Gaffer Elliot Beach
Spark Caspar Jones
Spark Matt Markham
Spark Ramzey Sabbagh
Spark Craig Gambell
Spark Max Halstead
Production Designer Ranya El-Refaey
Art Department Assistant: Hannah Eccles
Art Department Assistant: Esme Lewis
Stylist: Luci Ellis
Stylist Assistant: Nadia Dahan
Stylist Assistant: Florence Armstrong
Seamstress: Kate Steward
Artist's Makeup Artist Nibras
Makeup artist Sandra Hadi
Makeup artist Angela Stewart
Hairstylist Diana Francis
Hairstylist Regina Meessen
JD’s Hair Stylist Issac Poleon
JD’s Make Up Artist: Alex Babsky
Choreographer Kloe Dean
B-Unit Camera Natasha Duursma
Animal Handler Jo Mayston
Runner Jaered Glavin
Runner Lucia Ritucci
Runner Arthur Studholme
Production Runner Tyshan Dwyer
Medic/Covid Supervisor Richard Hayward
AM Covid Testing Nurse Florence Smartson
PM Covid Testing Nurse Linda Namuyiga
Edit Laura Cairney - Keize
Edit Producer Polly Kemp
Colourist Jason Wallis
Color Producer Melissa Trindade
Motion Graphics Mikko
Label AWAL
Commissioners Bianca Bhagat & Cheyenne Miller
Camera supply Panavision
Lighting supply SHL Lighting
With thanks to @Monkey47DryGin & @gucci
Lyrics
Naija women
Got the melanin dripping
L o n d o n
City girl living
In the back looking like fire chilli pepper
Yoruba girl tougher than imperial leather
He was getting bitter while she was getting better
Diamonds are forever
Miss Sierra Leone looking like a gem
Works hard in the week
Party on the weekend
Know you wanna live with no one watching how you spend
Got a thing for the finer things and the finer men
Miss Tanzania she a do or die
Say she wanna know more bout the Sukuma Tribe
We hit the zoot
Once wasn’t enough
Got an ocean full of knowledge you could scuba dive
Miss Ethiopia can play so jazzy
Then sit you down and school you on Selassie
Telll em your nothing without a woman no
Woman to woman I just wanna see you glow
Tellem what’s up
I love
How you go from zero to 1 hundred
And leave the dust behind you’ve got this
All action no talk
Bajan honeys
Know you repping for your country
Sun kissing your brown skin looking like money
Say she focusing on being an accountant
When you have beauty and brains they find it astounding
Why? She been getting it on her own nigga
Self made ain’t nobody doing gold digger
Now
Miss India always speaks with her chest
Got respect from her people cos she leads them the best
Real life queen in the flesh
Know the crown get heavy still it beez on your head
Brooklyn ladies
Know you hustle daily
Innovative just like Donna Summer in the 80s
Your time they seeing you glow now
Intelligence and elegance show em how
Miss Jamaica understand food for the soul if she get up in the kitchen know she throw down
Ain’t nothing without a woman though
Woman to woman I just wanna see you glow
Tellem what up
I love
How you go from zero to 1 hundred
And leave the dust behind you’ve got this
All action no talk
I see your glow you’re the finest gold
When you walk in the room they feel your soul
Your style it shines so ahead of time
And you know that you’re fire you’re so damn fine girl
She a Ghana girl
Calm with it never let the marijuana fail
Though a sucker for the romance
Take you to the home land
One way she ain’t coming back nah
All I see is black stars
And I friggin love it yeah yeah
Times up tell the people that we coming yeah yeah
Done being in the shadow going public yeah yeah
Don’t know how to bare it how to stomach yeah yeah
Hand over this shit and let us run it yeah yeah
All we know is looking flawless all they know is stare stare
Ain’t nothing with a woman though
Woman to woman I just wanna see you glow
I love
How you go from zero to 1 hundred
And leave the dust behind you’ve got this
And lead them with your light you’ve got this
All action no talk
#LittleSimz #Woman #SometimesIMightBeIntrovert
There are no comments
Add yours