We’ve partnered with Groovalizacion Radio to bring you a monthly collection of the best world music-related videos. That’s our way to give value to too often overlooked, rich and diverse artistic expressions.
Buy Rio Mira's debut album:
https://ayarecords.bandcamp.com/alb...
Buy Rio Mira's Adios Morena EP w/ remixes by Nicola Cruz, Chancha Via Circuito and more:
https://ayarecords.bandcamp.com/alb...
Co-produced by Grammy nominee Ivis Flies and Grammy winner Ivan Benavides, Rio Mira is a marimba supergroup with Afro-Pacific binational heritage consisting of some of the most in-demand and respected musicians from Colombia and Ecuador. Their music is the sonic rejoining of the region known as El Pacífico Sur, one connected by history, ecology and culture and divided by the national borders of Ecuador and Colombia.
The people throughout this area have similar music, food, speech, fashion, and background, and it is no coincidence that the band takes its name from the Mira River that flows across these borders, connecting rather than dividing people and cultures. This area is home to a great many people of African descent and the rhythms of Africa have become entwined with the lilt and grooves of Colombia and Ecuador. Marimba music has become firmly established, a sound so sacred it was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in 2015.
Marimba Del Pacifico is a beguiling showcase of this protected sound, a celebration of a unique cultural heritage found nowhere else on the planet, by a band of young musicians keeping this strong tradition alive.
Video by Crack http://www.creativeroom.tv/
Rio Mira
Spotify https://open.spotify.com/artist/08z...
Facebook https://www.facebook.com/RioMiraMar...
Instagram https://www.instagram.com/riomirama...
Bandcamp https://ayarecords.bandcamp.com/alb...
AYA Records http://ayarecords.net
Instagram https://www.instagram.com/ayarecord...
Twitter https://twitter.com/ayarecords
Facebook https://www.facebook.com/AYARecords...
Bandcamp https://ayarecords.bandcamp.com
SoundCloud https://soundcloud.com/ayarecords
Merch https://ayarecords.bandcamp.com/mer...
Nightmares on Wax - Back To Nature ft. Kuauhtli Vasquez, Wixarika Tribe
‘Back To Nature’ is an emotional journey into humankind’s relationship with the natural world. The accompanying video, directed by João Pombeiro, follows this narrative through its cut-up collage of magazines, postcards and vintage film, with positive glimpses of a future harmonious utopia.
Words of wisdom by Kuauhtli Vasquez recorded at House of Colors Ibiza.
Chant / Hikuru from a member of Wixarika Tribe recorded in ceremony at Sacbe, Mexico.
Taken from the new album ‘Shape The Future’, out now on Warp Records.
Stream: https://warp.lnk.to/ShapeTheFutureY...
Vinyl, CD, Digital: https://warp.lnk.to/ShapeTheFutureY...
Listen to a selection of new music and N.O.W classics on Spotify: https://now.fanlink.to/shape-now
TootArd: Laissez Passer
Order here: goo.gl/JUD97v
www.glitterbeat.com
I do not exist on an ID card
A string and a piece of wood are my gunpowder
A Laissez Passer. Let him pass. That’s the document the stateless carry. It’s all that those from the occupied Golan Heights possess. Since 1967 the area has been part of Israel, but the inhabitants aren’t Israelis. They don’t have any citizenship. They don’t have passports. Just a Laissez Passer. And for the members of TootArd who all grew up in the village of Majdal Shams in the Golan, it’s a very apt name for their new album.
“Laissez passers are special situation papers,” explains singer and guitarist Hasan Nakhleh. “It took us a while to realise the effect. We’re permanent residents in Israel, but not citizens. We have no travel documents. When we travel we need the laissez passer. With no nationality, we’re officially ‘undefined.’”
But in statelessness, the five-piece has discovered musical freedom. TootArd grew up understanding that borders are something imposed by governments, lines that only exist on a map. On a disc, in concert, they can go wherever their imagination carries them. They carry their citizenship inside.
“What we do now is the result of everything we’ve ever done and heard,” Nakhleh says. “We began listening to Tuareg music and we fell in love with it. It resonated with us. North African music is something we’ve heard since we were children. We all grew up with classical Arab music. In finding our own sound, we’ve discovered things from all over.” With Laissez Passer, the past has helped create the future.
On the title cut, Nakhleh notes, “the first verse is the reality, the second is our solution. Our people are stateless. We have no flag, no sense of belonging. It also reflects our emotions. We feel undefined, we don’t know where we belong, when everything in the world tells us we should belong. People always want you to say who you are.”
With its insistent riff that evokes the space of the desert, glorious driving, funky percussion, and an electric guitar that Nakhleh modified with extra frets to sound like an oud, the song builds a manifesto that bonds West Africa and the Maghreb to the Levant. It’s a thrilling opener; more than that, it’s a very catchy one, with the subtle reggae flourishes adding a very organic, international feel. But those were a natural touch for the band, a nod towards their musical beginnings.
Laissez Passer is the sound of a band that’s found its voice. The songs seemed to be pulled from the air, to have found them, whether it’s the catchy optimism that transports “A’sfur,” the biting groove that propels “Oya Marhaba,” or the flickering shadows-and-light shifting guitarscape of “Sahra.”
The album closes with the yearning “Syrian Blues,” a gaze across the Golan Heights into the distance and history of another country.
“It’s something calm to finish, a very emotional quality. Our region used to be a part of Syria. Historically we’re Syrians, but I’ve never been to there. I feel the music has an emotional quality, and sadness in the harmonies. I even wrote it in the Rast scale, the one that’s most used in Arabic music. I thought it would evoke Syria.”
The result is an Arabic blues, the quiet, sad music of people who have a home but no nationality.
With music I become a flying bird
I change my feathers, I change my strings.
TootArd are not ‘undefined’; they’ve fashioned their own identity in their music, creating a bond of the stateless that reaches from the Levant to the Tuareg – another people without a real home - and reaches out far beyond. Let them pass.
Camera by:
Wael Abu Jabal
Melad Awidat
Jenan Shokair
To Buy : https://choukbwa.bandcamp.com/album...
Images shot by Thomas Freteur / Generative manipulations By Ofer Smilansky
Cat. No. 18 Ångström ep18
Artist : Chouk Bwa & The Ångstromers
Format : 7 inch Vinyl / Digital Download
Electric Mambo (Pawol Jatibwa) - written by Jean Claude Dorvil
Credits :
Jean Claude « Sambaton » Dorvil lead singer
Jean Rigaud Aimable drums & vocals
Riscot Cedieu drums & vocals
Gomez « Djopipi » Henris chime & vocals
Edèle Joseph vocals
Sadrack « Mazaka » Merzier drums & vocals
Nicolas « Ripit » Esterle modular synthetiser
Frederic Alstadt modular synthetiser
recorded live at Café central Brussels on the 09/28/2017
Produced & mixed by the Ångstromers
Mastered & cut by Frederic Alstadt
Management Michael Wolteche - info@enthusiastmusic.com
Mina ma Pelo - Son Palenque ! Feat MIchi Sarmiento - Video CLIP
Son Palenque, tema de su nuevo disco con el maestro Michi Sarmiento
video clip realizado por Lucas Silva, Juan Daniel Taboada y Alejandro ardila, Hollywoodoo Films y Mapale films.
otro hit de Palenque Records
Escucha está canción en tu plataforma digital favorita
https://ONErpm.lnk.to/RumboATierra
LETRA:
Así es Mi Caribe papá
sombrero vueltiao hamaca
gente buena y otros que no pero
Te saludamos con el deditoooo, gorditooo eeeehh
decimos bacano , la buena mi Hermano
Oe! Oe !
Primero que nada llego y Te explico
en toda mi costa se come rico
patacón en la playa con bocachico
y Te pongo a bailar pegao con el Picó
Aunque no es parecido no es lo mismo
un trago largo pal primo , no te preocupes primo que yo lo sirvo
y cuantos tragos son uno dos mi son Hey!
Colombia ok! se dice ok!
si no te gusta se dice que no hay Güey (way)
es que le gusta le gusta a los chicos play
y si la rumba está buena se dice Bacano hey !
Cómo fue?, Eh! Eh! Eh! Eh!
Así es Mi Caribe papá
sombrero vueltiao hamaca
gente buena y otros que no pero
Te saludamos con el deditoooo, gorditooo eeeehh , Como?
decimos bacano , la buena mi Hermano
Oe! Oe !
Cómo fue?, Cómo fue? Cómo fue? Eh! Eh! Eh!
Mucho que le gusta que le pongan la Champeta en la caseta
va en chancleta con la plata encaletá
en toda mi zona costera algareteadera aunque la nevera entera
esté bien pelá
Colombia ok! se dice ok!
si no te gusta se dice que no hay Güey (way)
es que le gusta le gusta a los chicos play
y si la rumba está buena se dice Bacano hey !
Así es mi Caribe Cómo fue ? por si no sabía , Cómo fue?
Gente buena, mala pero hay poesía pa Tí
Así es mi Caribe Cómo fue ? por si no sabía , Cómo fue?
Gente buena, mala pero hay poesía pa Tí
Desde la Zona Estelar Berbenautika con ustedes El Systema Solar!
Así es Mi Caribe papá
sombrero vueltiao hamaca
gente buena y otros que no pero
Te saludamos con el deditoooo, gorditooo eeeehh
decimos bacano , la buena mi Hermano
Oe! Oe !
Booking & Management: info@systemasolar.com
Producción y Dirección AudioVisual: losbones.net
Escucha toda nuestra música en tu plataforma digital favorita aquí
https://ONErpm.lnk.to/SystemaSolar
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Bienvenidos a los Fania Chapinero Sessions! Nos asociamos con Arbol Naranja para producir las mejores interpetraciones de la Fania con nuevos artistas de diferentes ciudades del mundo. Continuamos nuestros Fania Sessions con la zona de Chapinero en Bogotá, Colombia. El ultimo video es una tremenda interpretacion por La BOA de la cancion "Calle Luna Calle Sol" originalmente de Willie Colon.
Sobre La BOA
La Bogotá Orquesta Afrobeat es una agrupación musical fundada y establecida en Bogotá, que desde el año 2013 viene desarrollando un proceso artístico y creativo que involucra legados del Caribe Colombiano, herencias del afrobeat nigeriano y una serie de aportes y recursos de las culturas afrocubanas y del funk estadounidense. En este proceso La BOA ha definido un estilo inconfundible y un sonido único al que ha sumado la presencia de artistas como las cantantes Nelda Piña Quezada y Nidia Góngora, en una apuesta por re descubrir las tradiciones culturales del país y en nuevas posibilidades de aportar a la vanguardia musical colombiana.
Banda
Daniel Michel – Bajo/Director Musical
Deimar “Pio” Molina – Cantante/Percusiones menores
Diana Sanmiguel – Cantante/Percusiones Menores
Alejandro Calderón – Batería
David Cantoni – Percusiones
Sebastian Carrizosa – Guitarra
Carlos Tabares – Trompeta
Luis Alejandro Niño – Trombón
Marco Fajardo – Saxo tenor
Terry Romero - Teclados
Sigue a La BOA
Instagram: https://www.instagram.com/bogotaorq...
Facebook: https://www.facebook.com/BogotaOrqu...
Twitter: https://twitter.com/LaBOAafrobeat
Production team/Equipo de produccion
Productor: Maykol Sanchez
Music Supervisor: Pablo Ahogado
Productora: Fluxus Visual
Dirección de fotografía: Nicolás Caballero
Cámaras: Nicolás Caballero / Daniel Acosta
Color: Daniel Acosta
Producción: Angélica Acosta
Asistentes de producción: Maria Paula Cardenas /Alejandra Quintana
Asistente de dirección: Felipe Silva
Making of: Camila Guerrero
Gaffer : 24 Cuadros
Ingenieros de grabación: Pedro Rovetto y Paula Peña
Asistentes de grabación: Antonio Suárez y Juan Manuel Rassa
Mezcla: Pedro Rovetto
Masterizacion: Camilo Silva
A Fania Records production with Arbol Naranja
Don't forget to subscribe to our channel/no te olvides de suscribirte https://www.youtube.com/user/Faniav... roman
La Tumba · Eskorzo feat. Amparanoia
2º Single adelanto de ”Alerta Canibal”
”Este videoclip es un homenaje a los desaparecidos en cualquier conflicto bélico. Una crítica a la sin razón de cualquier guerra, una metáfora de lo que le ocurriría a estas víctimas en un plano astral sin definición, en un limbo, y donde los protagonistas se abrazan a la utopía de la paz.
Una triste fábula donde las consecuencias, por desaparecer en esas circunstancias, es dejar a los vivos con una herida que nunca cicatriza siendo víctimas, muertos en vida, del dolor, el calor y el color del que se tornaran sus vidas”.
REPARTO TÉCNICO:
GUIÓN Y DIRECCIÓN M.A. Caro DIRECCIÓN DE FOTOGRAFÍA Iñaki Gorraiz PRODUCCIÓN Jaime Walfisch y David Hierro AYTE. DE PRODUCCIÓN Lope Molina LOCALIZACIONES Manuel Mateos, Guía de montaña DRONE Aerialrotors Team MAKE UP Miri Martínez ARTE / VESTUARIO Mariquilla Cuevas GAFFER Juan Felipe Tomatierra ELÉCTRICO Juan Puerta Morales VFX / ETALONAJE Cristian Martín Vicente EDICIÓN M.A. Caro FOTO FIJA Jaime Walfisch CATERING Tania Dominguez ARTWORK Laprisamata CRÉDITOS FINALES Jaime Walfisch
REPARTO ARTÍSTICO Marius Makron, Sara Galisteo, Iker Gutiérrez, Elena Arroyo, Teresa Arroyo, Juan de Dios González, Josefa Vargas, Antonio González, Salvador Melguizo y Angustias Prieto
AGRADECIMIENTOS Amparanoia, José Sánchez Alonso, Ruiz Bus S.L, La Abuela Produce, Bebidas Ferrer, Juan de Dios González, Senay Ibáñez, Materiales de Construcción Cuevas López S.L, José Baza, Fito Dogarrá, Matías Ruíz, Nicolás Serrano, Adam Kichi
LA TUMBA Grabado por Alejandro Martínez en Producciones peligrosas. Mezclado por Carlos Díaz en la Vega. Masterizado por Mario G. Alberni en Kadifornia Mastering Studio.
UNA PRODUCCIÓN DE: Rootsound Music 2017
http://vevo.ly/fAQAFI
The Halluci Nation - The Light II Ft. Lido Pimienta (Official Music Video)
Get "We Are The Halluci Nation" now: http://smarturl.it/ATCRHalluciNatio...
Juno Award winning group A Tribe Called Red release their video, For You with Polaris Music Prize winner Lido Pimienta on their collaboration off of, "We Are The Halluci Nation".
Catch us on our upcoming live dates throughout 2023! For tickets head here: https://thehallucination.com/tour/
We acknowledge the financial support of FACTOR and Canada’s private radio broadcasters.
Location: Santiago, Chile - 2017
Original Idea: Lido Pimienta
Director: Lido Pimienta - Paz Ramirez
Producer: Trevor Blumas
Production Co.: PORCH / Patria ( Chile)
Edited By: Andres Landau
Post-Production: VICTORY SOCIAL CLUB
CREW
Line Producers: Paula Guiaquinta - Rodrigo Quintanilla ( PATRIA)
Produccion Assistant: Camila Lescovich
Director of Photography: Marcelo Liberona
B Camera Director: Sebastian Sabelle
Art Director: Alejandra Ortiz
Wardrobe: Francisca Torres
MakeUp & Hair: Roma Manfredini
MakeUp & Hair Assitant:
Camera Assistant: Cesar Urra Mejias
Data Manager- Drone Operator: Fabiola Matamala
Locacionist: Eder Hepp
Gaffer: Jose Ocare
Sound: Gonzalo Zamora
Runner: Jorge Bueno
Talent: Celine Raymond, Iara Espinoza, Consuelo Achurra, Soledad del Rio, Daniela Sepulveda, Camila Gonzalez, Sergio Soto, Tarix Sepulveda, Gabriela Claveria, Katalina Sanchez, Amanda Rozzi, America Navarro, Federica Larrain, Malu Sierra
Grafitti Artists: Fiya Bruxa, Nacho Nass, Marcia Sol,
Skaters: Carmen Benito, Lucrecia Andrades, Ricardo Vargas,Antonio Espinosa, Swami Fabregas
Dancers:Monserrat Guevara, Camila Guerrero, Fernanda Lagno, Rodolfo Robles, Jean Paul Bayer, Nicole Ojeda, Isidora Arrve,
Special Thanks to: Benjamin Ramirez, Ximena Sanches , Sofia Camus
Catch us on our upcoming tour dates! For tickets head here: https://thehallucination.com/tour/
July 25 – Calgary, AB – Calgary Folk Fest
Aug 7 – Online – Noon Chorus
Aug 22 – Regina, SK – Queen City Ex
Oct 20 – Minneapolis, MN – Cedar Cultural Centre
Oct 21 – Chicago, IL – Chop Shop
Oct 23 – Detroit, MI – Tangent Gallery
Oct 26 – Philadelphia, PA – World Café Live (Lounge)
Oct 30 - Brooklyn, NY – Baby’s Alright
Oct 31 – Burlington, VT – Higher Ground (Showcase)
Nov 2 – Ottawa, ON – Bronson Centre
Nov 3 – Montreal, QC – SAT
Nov 5 – Toronto, ON – Danforth Music Hall
Nov 6 – London, ON – London Music Hall
--------------The Halluci Nation-------------
Website: http://thehallucination.com/
Instagram: https://www.instagram.com/thehalluc...
Twitter: http://twitter.com/atribecalledred
Facebook: https://www.facebook.com/wearetheha...
Merch: https://atribecalledred.myshopify.c...
Talk Memory is out October 8th on XL Recordings and Innovative Leisure.
Available to pre-order now: https://badbadnotgood.ffm.to/talk-m...
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Directed by Flockey Ocscor
Filmed - Christopher Behrmann / David Füsgen / Amir Quadahi
Steadicam - Jonas Hauser
grip - Paul Schön , Yannick Benavides , Declan Burski
Supported by GROWN
This is "Trainyards" from our freshly released 3rd full length record, Solstice. Video by Martinez. Full record out now on Rootfire Cooperative. https://itunes.apple.com/us/album/s...
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