Every month, we bring you a monthly collection of the best world music-related videos. That’s our way to give value to too often overlooked, rich and diverse artistic expressions.
Filmed by Taylan Mutaf
Directed by
Taylan Mutaf
Co Director
Michele Cadei
Edited by
Michele Cadei
Special Thanks to all the beautiful people of Gulu
DIGITAL TRACK DOWNLOAD: https://hakunakulala.bandcamp.com/a...
Taken from "Bantou Mentale"
👉 Order/Listen: https://idol.lnk.to/Bantou_Mentale
Video produced by Liam Farrell
A dark, thundering Kinshasa meets Paris soundworld. Ecstatic vocals, broken beats, subterranean bass and full-throttle energy. This four-piece group of sonic groundbreakers have delivered a scintillating debut album. The fulfilment of their long-held dream to create an African band with the weight and sensory attack of
knife-edged rock and hot-wired club beats.
Features ex-members of Staff Benda Bilili, Konono No.1, Jupiter & Okwess, Mbongwana Star plus producer/musician Doctor L (Tony Allen, Mbongwana Star, Les Amazones d’Afrique).
You’re in a club in Paris - the ‘Djakarta’ maybe, or the ‘Mbuta Lombi’, or the ‘Lossi Ya Zaza’. Not just anywhere in Paris, but in that raucous, feverish little African village, they call Chateau Rouge. 10th arrondissement. You could be back in Matongé, downtown Kinshasa, or in the Grand Marché, centre ville. You feel at home. But it’s freezing outside. You’re definitely in Europe. Cops with CS gas canisters hooked to their belts are roaming around harassing the illegal hawkers, the little shégué street-kids who hang around the entrance to the metro, touting for wig shops and nail salons or trying to sell you cheap phone cards so you can call home and tell your mama and papa you’re ok, still alive, ‘having a ball’. The cops are asking African youth for their papers. But you haven’t got any. Tough shit if your luck runs out. This life has no safety net. The music’s pumping loud and dirty: hip hop, electro, soukous, ndombolo, funk, rock, grime, whatever. You’re a citizen of everywhere, balling life under the radar in this African Blade Runner where the whole world meets, soaking up every beat going, no excuses, no regrets, loving it, eating it, spitting it out.
Welcome to Bantou Mentale, a brand-new chapter in a very long story.
Website / Shop / Tickets : http://www.dub-inc.com
Spotify : http://bit.ly/SpotifyDubinc
Deezer : http://bit.ly/DeezerDubinc
Facebook : https://facebook.com/dubinc
Instagram : https://instagram.com/dubincofficia...
Twitter : https://twitter.com/dubincofficial
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Merci aux habitants du quartier Saint Jacques à Perpignan
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Aïnedeudjerd illan !
T’aurais sûrement voulu faire de nous
Des gens forts et intelligents.
Mais quand j’y pense ma gorge se noue,
Exemplaires malgré nos déviances.
On était jeune et encore un peu loup,
Devenus forts, surtout exigeants.
Aujourd’hui tu serais fier de nous,
Encore une fois malgré nos déviances.
Parti jeune, parti pris, parti plus haut !
Le nombre est-il amour seul ou bien fléau ?
Partie grise dans mes gênes, est-ce mon défaut ?
Trouble cœur, trouble-fête, combler des maux !
On se sent fort, très puissant dans son égo,
On se cache souvent derrière l’ami maso.
Avec des si, j’ai parfois battu le démon,
Avec la faim, j’ai aussi perdu raison.
Avec la France j’ai appris ce qu’était l’opinion,
En Algérie je me suis tu quand j’avais raison.
Ces doubles peines que tu laisses derrière ton nom,
Ces forces me font réagir qu’on le veuille ou non.
On a grandi dans la poussière et le charbon,
À Saint Etienne, Puits Couriot est gravé ton nom.
Celui des autres, des souffrances coincées au fond,
Le nom des tiens, le nom des autres, celui des bas-fonds,
Qu’ils ont construit offrant un avenir en béton.
Texte à mon père, texte à mon frère, prétexte ou liaison !
Il y a des hymnes qu’on ne change pas,
Qu’on ne bouge pas,
À tort ou à raison !
En direction du soleil,
Et ce malgré les saisons.
À partir de là, je m’éveille,
Une lettre ouverte à l’horizon.
Puisse un jour retrouver le sommeil,
À tort ou à raison…
Je refais l’histoire car vous n’êtes plus là !
J’en veux à la vie ses aléas !
Vous êtes partis sans mea culpa !
Tous ces non-dits qu’on ne se dira pas !
Orphelin, mais comment devenir vraiment père ?
Plus le temps de se retourner de pleurer sur son sort.
Et même si souvent je ne sais plus comment faire,
Vous m’avez transmis comment pouvoir rester fort.
Partis loin, partis vite, partis trop tôt !
Tous partisans d’autres vies, d’autres idéaux !
Au paradis par amour j’envoie ces mots !
La parenthèse ne se ferme que s’il le faut.
On essaie de vous rendre fier,
Par nos parcours, nos amours, nos vies, nos destins.
Que vous surveillez les arrières,
De nos trésors, nos bonheurs, nos enfants leurs chemins.
Vos noms restent gravés sur nos terres,
Et j’essaie, je transmets, vos valeurs juste à l’instinct.
Et même si tout est éphémère,
Je veux vivre et sourire pour construire le bonheur des miens.
On aimerait tous un jour pouvoir parler,
À tous ceux qui nous ont manqué depuis si longtemps.
Ils resteront toujours dans nos pensées,
Comme chaque mot qui nous a marqué, tout est différent
La sueur et nos pleurs se mélangent sur la scène !
Et malgré les douleurs que l’on cache et renferme !
On veut croire au bonheur au-delà de nos peines !
On garde l’espoir, à tort ou à raison.
Andi ghoheute skeulivar sani,
Ouliw assa gui ifcheul igheuyan.
A vavan haghya vavan
S’keulavar avlate sdaouw l’canoun.
Andi ghoheute skeulivar sani,
Ouliw assa gui ifcheul igheuyan.
A vavan tahian vavan
S’keulavar avlate sdaouw l’canoun.
Ça ne se change pas, l’histoire est là,
On vit avec, on y pense !
Ça ne s’oublie pas, on exprime ça,
Grandit avec nos souffrances !
-----------------------------------------
Réalisateur
Florin Defrance
Production
Eligans
Avec la participation de Mouss et Davico
Kora : Massa Dembélé
Merci aux habitants du quartier Saint-Jacques de Perpignan, et particulièrement : Nacer.das, Mouss, Michel, Davico, Nounours, David « Tourné » Cargol, Hassan et la Casa Musicale.
Merci à PhotoCinéComédie à Montpellier.
Producteurs : Mathieu Nguyen & Nicolas Renier - Cheffe de projet : Caroline Chesnier - Chef opérateur : Manu Dauchy - Assistante-réalisatrice : Manon Rénier - Steadicamer : Anton Tarente - Electricienne : Sophie Bernard - 1er assistant caméra : Jorys Flory - Maquilleuse : Ange Vignes
Directed by Des Murphy
Order new album 'Handfuls of Night' on LP/CD/DL: https://idol.lnk.to/HandfulsofNight
Penguin Cafe have revealed the video for their new single 'Chapter', taken from the highly anticipated new album 'Handfuls of Night', released on October 4 via Erased Tapes.
The captivating single-shot video for was filmed in New York on The Roosevelt Island Tramway at Queensboro Bridge and directed by Des Murphy. The use of a city that occupies such a massive part of our cultural imagination, particularly on the silver screen, highlights the track’s vivid filmic feel, as does its inspired adoption of noir tones.
“Chapter is for me one of the big tracks on the album. We got into this mindset where we were creating cinematic story lines for our imaginary penguin protagonists – and this one was a lot of fun to make. There's a hint of 70's cop-show about the main motif with the double push in the bass line and we got this idea of a hard-boiled detective-penguin, with a leather jacket and a cool car in New York. The video totally goes with that feel. I love the idea of a familiar landscape being gradually moved into an imaginary, almost dreamlike version of itself – and the slow build in the video hit this exact note.” — Arthur Jeffes
'Chapter' is the second piece to be take from Handfuls of Night, the highly anticipated follow-up to Penguin Cafe’s much applauded 2017 album The Imperfect Sea. Released on October 4, this glacial new LP is inspired by Arthur Jeffes’ journey following in the legendary explorer Scott’s footsteps, the Antarctic and our penguin friends that reside there.
Penguin Cafe are taking Handfuls of Night around the UK and Japan this autumn before heading out on a worldwide tour in 2020, with more dates to be announced very soon.
Book tickets for the tour: https://www.penguincafe.com/tour-da...
"Marigolds" from Kishi Bashi off the album 'Omoiyari' out on Joyful Noise Recordings.
Video Director & Animation: Geoff Hoskinson
LP/CD/Digital: http://joyfulnoi.se/omoiyari
Kishi Bashi will head out on his extensive fall North American headline tour later this month and head to UK & EU later this year. Check out the dates and see him live!
9/13 - Bozeman, MT @ The Filling Station
9/26 - Atlanta, GA @ Variety Playhouse
9/27 - New Orleans, LA @ Republic NOLA
9/28 - Austin, TX @ Mohawk
9/29 - Houston, TX @ The Heights Theater
9/30 - Dallas, TX @ Trees
10/2 - Denver, CO @ Ogden Theatre
10/3 - Salt Lake City, UT @ Metro Music Hall
10/5 - Vancouver, BC @ Imperial Theatre
10/6 - Seattle, WA @ Showbox SODO
10/7 - Spokane, WA @ Knitting Factory
10/8 - Portland, OR @ Roseland Theater
10/10 - Eugene, OR @ WOW Hall
10/11 - San Francisco, CA @ The Warfield
10/12 - San Luis Obispo, CA @ SLO Brew
10/13 - San Diego, CA @ Music Box
10/14 - Los Angeles, CA @ The Regent Theater
10/24 - Carrboro, NC @ Cat’s Cradle
10/25 - Nashville, TN @ Cannery Ballroom
10/26 - St. Louis, MO @ Delmar Hall
10/27 - Madison, WI @ Majestic Theatre
10/28 - Minneapolis, MN @ First Avenue
10/29 - Chicago, IL @ Metro
10/30 - Pittsburgh, PA @ The Rex Theater
11/1 - Norwalk, CT @ Wall Street Theater
11/2 - Brooklyn, NY @ Brooklyn Steel
11/3 - Boston, MA @ Royale
11/4 - Philadelphia, PA @ Union Transfer
11/6 - Indianapolis, IN @ The Vogue
11/7 - Cleveland, OH @ Beachland Ballroom
11/8 - Washington, DC @ Lincoln Theatre
11/9 - Charlottesville, VA @ Jefferson Theater
11/23 - Brussels, BE @ Le Botanique
11/24 Brighton - Brighton, UK @ Hope & Ruin
11/25 - London, UK @ Omeara
11/26 - Bristol, UK @ The Louisiana
11/27 - Glasgow, UK @ Nice N Sleazy
11/28 - Manchester, UK @ Yes
11/29 - Paris, FR @ 1999
12/1 - Berlin, DE @ Gretchen
12/3 - Munich, DE @ Milla
12/4 - Vienna, AT @ Chelsea
12/5 - Zürich, CH @ Bogen F
12/7 - Amsterdam, NL @ Bitterzoet
12/8 - Hamburg, DE @ YOKO Bar, Club
12/9 - Copenhagen, DK @ Xenon
More Info & Ticket Links: http://www.kishibashi.com/shows
---
Marigolds
The word that you had found for me,
Was a favorite sound of mine
It swayed under your canopy
To fill the end of time
I was the only one this century
To remind you all is fine
With every truth there is a mystery
With a vision so divine
I wish that I had met you
When your heart was safe to hold
When you were simple and fancy,
In that field of marigolds
And when you burned the sentiment
Like a candle next to mine
The southern wind it kept the flame
Flickering in time
I wanted everything to be confused
And the mission not aligned
But when I looked into your sacred eyes
I was empty with no surprise
And when I wasn’t so happy
I would say a prayer of old
When we were simple and fancy
In that field of marigolds
I wish that I could grow up with you
I wanna see the world the way you do
I want to fall off the edge with you
I want to fun with you
I was the only one this century
To remind you all is fine
With every truth there is a mystery
With a vision so divine
I wish that I had met you
When your heart was safe to hold
When you were simple and fancy,
In that field of marigolds
Mateo Kingman - Puerta de Sal (Official Music Video)
Puerta de Sal is part of Mateo Kingman's second album Astro.
Vinyl/Download/Stream: https://mateokingman.lnk.to/astro
Artist and Director Text
Words of Mateo Kingman
“Wombs like walls, like atmospheres”
Salt is what keeps us closed energetically, the “door of salt” is the door you go through to
enter the great mystery, what we can’t understand, the unknown.
This song talks about shedding your skin, and the portals we go through in time.
From conception, birth, the different stages of growth, death... it’s a nod to something that
Lhasa Sela once said in a concert: “...when we are conceived, we appear in our mother’s womb as a diminutive light, suspended in this immense space. Then we grow and this world that we are inside, which seemed so enormous at first and so infinitely welcoming, has become very uncomfortable.
And we are forced to be born. And in the moment of birth we all think: this is death, this is
the end of my life. And we are born and it is such a surprise, because it’s just the beginning...”
On this album I explored contrasts between the rhythmic and the atmospheric. I like the
shock and the rupture that is generated by a sudden, radical change in one same song. This
could be a trap song, but when it gets to the chorus it all expands out, the melodies get
stretched out, the music becomes spatial and tense and it becomes a music with no genre.
Words of Jerónimo Albornoz (Music Video Director)
At JUGO co. we’re proud to present the video for “Puerta de Sal”.
Jero Albornoz, CEO & Director, tells us about his experience:
For me, “Puerta de Sal” was an exploration and a personal encounter in which I was able to
combine just right with Mateo’s vision. It was one of those projects where everything flows,
and in our need to tell our personal stories, as artists, we touched unimaginable heights.
One of the biggest challenges and production values was the decision to shoot the video in
Super 16. Returning to film, after several years of “obsolescence” because of digital, and
getting back to the roots was priceless.
“Puerta de Sal” contemplates an intense but restrained transformative process in which
Mateo faces his inner demons after he’s abandoned in a post-apocalyptic world.
Images loaded with texture and symbolism, a powerful narrative and scenic work that
dances with the sounds and lyrics of this key track in the journey that is “Astro”.
Mateo Kingman https://www.mateokingman.com/
Spotify https://open.spotify.com/artist/223...
Facebook https://www.facebook.com/mateokingm...
Instagram https://www.instagram.com/mateo_kin...
Twitter https://twitter.com/MateoKingman
Bandcamp https://mateokingman.bandcamp.com
SoundCloud https://soundcloud.com/mateokingman
AYA Records http://ayarecords.net
Instagram https://www.instagram.com/ayarecord...
Twitter https://twitter.com/ayarecords
Facebook https://www.facebook.com/AYARecords...
Bandcamp https://ayarecords.bandcamp.com
SoundCloud https://soundcloud.com/ayarecords
Merch https://ayarecords.bandcamp.com/mer...
Nola Is Calling - Whodat [official video from Sewing Machine Effects album]
Extracted from the album “Sewing Machine Effects” @ Jarring Effects Label (03.01.2019)
Buy / Stream the Album here : https://sewing-machine-effects.fanl...
Suscribe to Jarring Effects channel: https://goo.gl/TJuKkM
Music : All tracks are composed by Nola Is Calling, written by Nola Is Calling, performed Nola Is Calling.
Vocals : Big Chief Jermaine Bossier & Big Chef Romeo from #79rsgang, Bonaventure Didolanvi, HaSizzle & David Walters.
Beatmaking, FX, Percussions baschet : David Walters Cello : Olivier Koudouno Percussions/Drums : Bonaventure Didolanvi, Big Chief Romeo
Produced by David Walters
Video : Videoclip directed by Fanelie Muselier (http://faneliemuselier.com/)
Executive Production : David Morel
Artistic Direction: Céline Frezza, Elodie Maillot
Recorded behind the Moonshine Shack of Piety Street – New Orleans – Louisiana.
Recording Engineer : Emmanuel Perrot.
Mixed by Céline Frezza @ Jarring Effects Studio – Lyon – France.
Label : Jarring Effects Label (Lyon – France)
Promotion : presse@jarringeffects.net
Distribution : L’Autre Distribution (contact@autredistribution.fr)
Design : Hélène Bertholier
Infographie : Anne Sophie Leens
Partners :
La Ville de Lyon / L'institut Français / SPPF / FCM / ADAMI / Région Auvergne Rhône-Alpes
Thank You:
A special thank to you New Orleans! We loveyour brilliance and inspiration !
Thank you Rusty Lazer, Béatrice Germaine and Scott, The Music Box, Arno Bitschy, David and Malaika Ludman, Emmanuel Perrot, The 79rs Gang, The 9th Ward Hunters Gang, The 7thWard Creole Hunters Gang,The Vibe, Enora Leroux, Big Chief Jermaine Boissier & Big Chief Romeo ‘s families, Benjamin Galand, Léa Lamy, Léo Mendez, Mélanie Sodaymay, Geneva airport’s crew, Stacy Hoover and Wonderland…
#mardigrasindians
#NolaIsCalling
Max Cooper - Perpetual Motion (Official Video by Nick Cobby)
► Subscribe: https://MaxCooper.lnk.to/Subscribe
► Sign up & join Discord: https://os.fan/MaxCooper/SignUp
⬛Buy/stream: https://ffm.to/yearningfortheinfini...
MAX COOPER
Thanks for having a look at the first video from my next audio-visual album coming later this year. The whole project was a commission from the Barbican centre in London, where they do a lot of great events, I've seen many of my favourite gigs there. So I wanted to prepare something special, and something intense, using the structure of the beautiful hall there as a canvas for the show. Their brief was around emerging new technologies and how they're changing society, so I tried to boil the whole process down to its fundamentals which I could visualise and write music for - which spawned "yearning for the infinite". The idea being that we're locked in our societal- and nature-driven pursuit of growth and knowledge and more, always more. I had come across some really beautiful ideas for visualising the infinite which I'll tell you more about later as the content comes, and I decided to combine these abstract visualisations with stories of us, in our endless activity as part of the systems in which we exist. This also gave me the potential for the scale and intensity I wanted to create for the project. This particular chapter comes later on in the show when both the human story and the abstractions (transcendental digits from Martin Krzywinski, aperiodic tiling from Jessica In and dividing surfaces from Andy Lomas) start to merge. The great visual artist and long term collaborator Nick Cobby had time in Mexico city which seemed an amazing opportunity to capture this dense human activity, and once again he's created another of his tightly synced and detailed masterpieces, many thanks Nick! I recommend watching on a big screen where possible. Lots more to come soon, thanks for watching and listening.
NICK COBBY
Max's idea for Perpetual Motion was to document the continuous movement of people, exploring how there is no inherent meaning in life, only our own meaning which we create through striving towards our goals. When we discussed the idea of the film, Max and I felt Mexico City was the perfect place to use as a canvas. A sprawling metropolis of 9 million people, all packed in tight and some really interesting land forms and architecture. I then got the idea of using drones when scouting for locations on Google Earth. There were some amazing geometric forms that when viewed from above give an entirely different perspective of the city. I was really interested in the juxtaposition of these orderly forms with the irregular, disorderly chaos confined within it. For me it really helped push the idea of living as part of a perpetual system. I collaborated with 3 very talented Mexican photographers who shot some incredible footage for me, Manuel Marañón, Roberto H and Santiago Arau. It was a pleasure to collaborate with them and I hope the film can be shown in Mexico some time soon. For the animation side, I collaborated with Andy Lomas and Jessica In, integrating their forms frame by frame into the drone footage with my own point data, aiming to create unexpected transitions and connections between reality, hyper realism and the hidden systems beneath.
Stream/download: https://ffm.to/perpetualmotion
Album website with the whole AV project explained: https://www.yearningfortheinfinite....
Music:
Max Cooper
https://maxcooper.net/
@maxcoopermax
Directed:
Nick Cobby
https://nickcobby.com
@nickcobby
Drone Photographers:
Manuel Marañón
https://www.quinque.work
@quinque.work
Roberto H
https://robertoh.mx/
@dronerobert
Santiago Arau
https://santiagoarau.com
@santiago_arau
Animators:
Nick Cobby
Andy Lomas
Música:
Letra: Emicida e Ibeyi
Voz: Emicida e Ibeyi (artistas gentilmente cedidas por XL Recording)
Música: Nave e Ibeyi
Gravadora: Laboratório Fantasma
Direção Geral: Evandro Fióti
Produção executiva: Raissa Fumagalli
Assistente de produção executiva: Lohana Schalken
Mixagem: Maurício Cersosimo
Masterização: Maurício Gargel
Preparação vocal Emicida: Thiago Jamelão
Gravada no Red Bull Station por Funai
Clipe
Direção: Fred Ouro Preto
Assistente de direção: Sabothati
2º assistente de direção: Joyce Carmo
2º assistente de direção: Alessandra Sorretino
Direção Fotografia: Jorge Dayeh
Direção de Produção: André Bernardes
Make/Hair: Tibby Ramos
Hair Emicida e Ibeyi: Welida Souza
Figurino: Marina Santa Helena
Edição: Fred Ouro Preto
Finalizador: Ricardo Souza (Coletivo Butterfly)
Cor: João Moreira (Marla Color Grading)
Elenco: Akinn, Aksb Art, Alexa GOmes, André Dias, Drik Barbosa, Eduardo Araujo, Kelly Souza, Maiwsi Ayana, Mayara Rosa, Mirella Barbosa, Raphael Rezende, Raquel Sanches, Soniza Xavier, Tamyris Soares e Tato Leite
Agradecimento especial a Ocupação Ouvidor 63
Produção e realização Laboratório Fantasma
Letra:
Love
Libre, libre, libre
Clap
Libre, libre, libre
Twerk
Libre, libre, libre
Noiz
Libre
Aqui somos libre
Noiz, noiz, noiz, noiz, noiz, noiz, noiz
Noiz, noiz, noiz, noiz, noiz, noiz, noiz
Aqui somos libre
É o tênis foda
Uma pá de joia foda
Reluz na coisa toda
Do jeito que incomoda
Pretos em roda
É o GPS da moda
Se o gueto acorda
O resto que se foda
É o tênis foda
Uma pá de joia foda
Reluz na coisa toda
Do jeito que incomoda
Pretos em roda
É o GPS da moda
Se o gueto acorda
O resto que se foda
Love
Libre, libre, libre
Clap
Libre, libre, libre
Twerk
Libre, libre, libre
Noiz
Libre
Aqui somos libre
Noiz, noiz, noiz, noiz, noiz, noiz, noiz
Noiz, noiz, noiz, noiz, noiz, noiz, noiz
Aqui somos libre
Stay where your dream can run
Let the bum bum bum
Shine like diamond like sun
Explode like a thunder
like a gun
This is our own roots
So fela, so fela, so fela
This beat is contagious
Sequela Sequela Sequela
To freedon forever like
Mandela Mandela Mandela
There is no discussion
Favela, favela, favela
There is no discussion
Favela, favela, favela
There is no discussion
Favela, favela, favela
There is no discussion
Favela, favela, favela
There is no discussion
Favela, favela, favela
Noiz, noiz, noiz, noiz, noiz, noiz, noiz
Noiz, noiz, noiz, noiz, noiz, noiz, noiz
Aqui somos libre
Love
Libre, libre, libre
Clap
Libre, libre, libre
Twerk
Libre, libre, libre
Noiz
Libre
Aqui somos libre
Love
Libre, libre, libre
Clap
Libre, libre, libre
Twerk
Libre, libre, libre
Noiz
Libre
Aqui somos libre
Se o gueto acordar
O resto que se foda
Curtir Emicida:
Site: www.emicida.com
Twitter: twitter.com/Emicida
Facebook: facebook.com/EmicidaOficial
Instagram: instagram.com/Emicida
Curtir Ibeyi:
Site: www.ibeyi.fr
Twitter: twitter.com/IbeyiOfficial
Facebook: facebook.com/IbeyiMusic/
Instagram: instagram.com/Ibeyi2
Essa é uma faixa do álbum "APKÁ!", da Céu.
Ouça nos aplicativos de música clicando aqui: https://slap.lnk.to/Apka
Veja mais sobre a Céu no site da Som Livre: http://som.li/1XO8I0h
Siga a Céu nas redes sociais:
Site oficial: http://www.ceumusic.com/
Youtube: https://www.youtube.com/ceuoficial
Facebook: https://www.facebook.com/ceumusic
Twitter: https://twitter.com/ceumusic
Letra: Coreto
Eu sou a voz que balançou o teu coreto
Eu prometi não estremecer mais
Teu coração já nos provou não ter sustento
Pra suportar a erupção
De uma voz incandescente como as lavas de um vulcão
Mas você petrificou, tudo, tudo que queimava
Trate de se resolver, pois agora
Tô cantando mais que nunca
O que aflora, eu quero ser a sua trilha
Quero tocar na sua rádio
Alfa by night
By night
Letra e música: Céu
Voz: Céu
Bateria e programações: Pupillo
Teclados e baixo synth: Hervé Salters
Guitarra: Pedro Sá
Produzido por Pupillo e Hervé Salters
Coproduzido por Céu
Gravado no estúdio Space Blues por Alexandre Fontanetti
Vozes gravadas no estúdio Muchito por Pupillo e Diogo Poças
Mixado por Mike Cresswell e masterizado por Felipe Tichauer no Red Traxx Music Studios, Miami, FL.
Produção Executiva: André Bourgeois (Urban Jungle)
Produção Clipe: Alexandra Thomaz (Urban Jungle)
Managing Partner & Executive Producer: Adrian D'Amario /Rodrigo Saavedra
Managing Director & Executive Producer: Carolina Dantas / Sebastian Hall
Ass. Produção Executiva: Larissa Delfini
Coordenação de Produção: Camilla Bastos
Ass. de Coordenação: Natália Petrechen /Luciana Andrade
Direçāo: Aline Lata
1ª Ass. de Direção: Camila Andreoni
2ª Ass. de Direção: Mari Prado
Assistente Criativa: Clara Behrmann
Pesquisa: Helena Chamon
Direção de Fotografia: Erico Toscano
1º Ass. Câmera : Marco "Chile"
2º Ass. Câmera: Plinio Rozani
Video Assist: Inês Cruz De Alice
Logger: Fábio Valério
Ass. foto still: Marcos Costa
Chefe de Eletrica: Hugo Nyerges
2º Ass. Elétrica: Renato Lelis de Souza/ Denis Fabri/ Giovani Gomes/Moacir Monteiro Filho
Geradorista: Marco Antonio Souza
Chefe de Maquinária:Weber Cunha
1º Ass. Maquinista: Alexandre Barnete
2º Ass. Maquinista: Rodrigo Iamamoto/Luis Dhyonis/Pedro Luis de Oliveira/ Thiago Fidalgo
Coordenador de Pós Produção: Elton Bronzeli
Coordenador de Finalização: Rafael Malavasi
Ass. de Coordenação: Rafael Bonato
Montagem:Filipe Rizzo /Aline Lata
Assistentes de Ilha: Wellington Martinelle/Diego Merulla/Gabriel Silva/Lucas Ramos/Carlos Belluzzo
MARLA COLOUR GRADING :
Colorista & Partner : Fernando Lui
Colorista:João Moreira
CEO :Andre Pulcino
CTO: Guido Gallo
MOSH POST
VFX Supervisor : Bruno Vianna
Atendimento: Jacqueline Lima
Coordenaçao de Pos: Bruno Melo
Direção de Arte: Rodrigo Saraiva
Ass Arte: Marina Malheiro
Produtor de Arte: Gisela Villalva
Ajudantes de Arte: Reginaldo de Oliveira /Carlos Alberto dos Santos
Adesivadores: Rogerio de Moraes /Gentil Previati JR
Produtora de Objetos: Mary Mello
Ass. de Objeto: Isa Bastos
Contrarregra: Rodrigo Dos Santos
Ajudante de Objeto: Bruno de Oliveira/Robson Mendes (Kiko)
Pintura: Allan Gandhi
Maquiador Céu: Lau Neves
Maquiadora: Mari Kato
Assistente de Make:Welida de Souza (Queen)/Carlaxane Maia
Figurinista Céu: Patricia Bertani (Tica)/Mauricio Ianes
Figurinista: Allan Gandhi
Assistente de Figurino: André Braune/Beatriz Amaral
Camareiras: Valéria e Cheila Roque da Silva
Céu veste ˜AO
Diretora de Produção: Gisele Castilho
Ass. de Produção: Alinie Nascimento/Gabriel Sidorenko/Pryka Almeida/Vitor Youssef
Estagiário de Produção: ThiagoTito
Ajudante Produção: Carlos André Santos/Luciano Ferreira
Coreógrafa: Mônika Bernardes
Elenco: Céu e Mariano Martins
Dançarinos: Celio Boss/ Daniel Marques Jr/ Gabriel Sidorenko/ Heine Michelão/Jimmy The Dancer/Jonnata Doll/ Kevin Gomes/ Laurinete Gouveia/ Lucas/ Luciana Andrade/ Luiza Figueiredo/ Mariza Virgolino/ Monika Bernardes/ Raquel Amoroso/ Regina Camargo/Silvana Medeiros/Soneka (EDI Carlos/Tamara Thomaz /Vitor Youssef
Prod.Casting: Cintia Capellano
Ass. Casting: Laercio Franciolli /Fabiana dos Santos
Prod.de locação: Tati Setton
Ass. Locação: Kátia Machado de Oliveira
Manutenção: Camilla Gomes
Ass Manutenção: Graciene Magalhaes, Bruna Santos
Catering: Manoel
Seguranças:Bullara/Alex/Cesar
Motoboy: Tarcisio/ Marcio Cardoso
Van de Produção - Forato
Van de Câmera: Roberto Porfirio
Furgão Figurino: Van Equipe: Natal de Paula Souza/ Wagner Rodrigues/ William Miguel da Silva/Cris Batista/ Francisco da Silva/Nilson de Souza/Valdomiro Mimosa/ Sales
Carro de Figurino: Nilson/Luciano/ Jose Carlos Evangelista
Carro de Arte: Valdir Monteiro/ Jose Augusto da Silva/ Erivanilton de Sousa /Antônio dos Santos
Caminhão Técnica: Fernando Perdigão
Pickup Produção: Edney Batista Souto
Carro Manutenção: Bibi
Equipamento de Câmera: ODC
Equipamento de Luz : Electrica
Maquinária: Cinecidade/Gripp Support
Gerador: Aquarela Geradores
Directed by Jonas Lindstroem
Cinematography by Nicolai Niermann
Produced by Iconoclast
Made in partnership with Apple Music
https://gudurecords.bandcamp.com
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