iLe & Natalia LaFourcade - En Cantos (Official Video) Música Disponible: All DSPs: https://smarturl.it/EnCantos Apple Music: https://SML.lnk.to/EnCantos Spotify: https://smarturl.it/EnCantos/spotif... Amazon: https://smarturl.it/EnCantos/az iTunes: https://smarturl.it/EnCantos/itunes Redes: http://www.ilevitable.com http://www.facebook.com/ilevitable http://twitter.com/ilevitable http://www.instagram.com/cabralu Casa Productora: Worldjunkies inc. Director: Alejandro Pedrosa Productora: Carolina Wolf Director de Fotografía: Santiago Benet Edición: Alejandro Pedrosa Color Correction: Dyad Efectos: El Ranchito Servicios de producción México: Central Films Productora México: Paola Cortés Letra: Mmm, mmm, mmm, mmm Mmm, mmm, mmm, mmm Yo te puedo sentir aunque no esté' ni cerca Yo te puedo sentir aunque no esté' ni cerca Porque te pienso al dormir y te sueño despierta Porque te pienso al dormir y te sueño despierta Todas tus luces me brillan y me alumbran por dentro Todas tus luces me brillan y me alumbran por dentro Y tus ojos me acuchillan cuando me los encuentro Ts me acuchillan el alma cuando me los encuentro Ay, no me llames loca por quererte así Ay, yo que estaba entera y ahora estoy volando en cantos por ti Por las curvas de tu boca quisiera recostarme Por las curvas de tu boca quisiera recostarme Tú me recuerdas a cosas que no quisiera olvidarme Tú me recuerdas a cosas que no quisiera olvidarme Ere' bálsamo que calma todo lo que me duele Ere' bálsamo que calma todo lo que me duele Me acaricias con tus palma' y tú hace' que vuele Me acaricias con tus palma' y tú hace' que yo vuele Ay, no me llames loca por quererte así Ay, yo que estaba entera y ahora estoy volando en cantos por ti Quiero ponerte en mi mesita de noche Que me quieras sin que me reproche' Quiero ponerte en mi mesita de noche Que me quieras sin que me reproche' Quiero ponerte en mi mesita de noche Que me quieras sin que me reproche' (Que me quieras sin que) Quiero ponerte en mi mesita de noche Que me quieras sin que me reproche' (Que me quieras sin que me reproche') Ay, no me llames loca por quererte así (No me llames loca por quererte así) Ay, yo que estaba entera y ahora estoy volando en cantos por ti (Estoy volando en canto' por ti) Ay, no me llames loca por quererte así Ay, yo que estaba entera y ahora estoy volando en cantos por ti #iLe #NataliaLaFourcade #EnCantos Official Music Video by iLe & Natalia LaFourcade performing “En Cantos” (C) 2020 Sony Music Entertainment US Latin

Download & support: https://elbuho.bandcamp.com/album/c... Mirando el Fuego is taken from El Búho's second full-length album Camino de Flores, released on Shika Shika at the end of 2018 and features a co-production with Joaquin Cornejo and the Colombian-Swedish duo Minük. This beautiful video was shot and produced in Guatemala by Carlo Pablo Anzueto y Alfonso Parutz and highlights the incredible natural beauty of the country (x2) esperanza, en la vida que perdura y los campos que de nuevo florecen corazones que se curan la semilla permanece fuego eterno, resplandece (x3) encendidas las estrellas que iluminan mis caminos cuando voy mirando el fuego veo el mundo entretejido (x...) ilumina Mirando el Fuego Guitars & Charango by Joaquin Cornejo Vocals by Alejandra Ortiz and Violins & Guitars by Hermanito (Matt Dunnet) Direccion y Produccion: Carlo Pablo Anzueto y Alfonso Parutz Postproduction: Alfonso Parutz, Carlo Pablo Anzueto --- Camino de Flores --- Drawing on the inspiration of traditional rhythms and sounds, notably from Latin America, Camino de Flores is an album that transports you to another place. Following the success of his first LP, titled Balance, El Búho is back and takes us on a journey from high mountains to cascading waterfalls, from a dusky rainforest to a crackling fire beneath a clear, star-filled sky. The album charts a pathway between traditional rhythms, the sound of the natural world, IDM electronica and a deep, enveloping dancefloor sound. With rhythms, instruments and effects built from field recordings or “found sound”, on Camino de Flores it is often hard to distinguish between synths and drum machines, from birds, water, rain or crunching leaves.

Listen to 'Radio Bubblegum' taken from 'More Signal More Noise' album - Out 10th July 2015 👉 https://smarturl.it/MoreSignalMoreN... 🚌 ADF On Tour 👉🏽 https://linktr.ee/asiandubfoundatio... 🛎 SUBSCRIBE FOR MORE : http://bit.ly/AsianDubFoundationYou... ♦︎ ADF Discography / Merchandising available 👉🏽 https://www.xrayproduction.com/en/c... Follow ASIAN DUB FOUNDATION : ☛ Website : http://asiandubfoundation.com/site/ ☛ Facebook : https://facebook.com/asiandubfounda... ☛ Twitter : https://twitter.com/ADFofficial ☛ Youtube : http://bit.ly/AsianDubFoundationYou... ☛ Instagram : https://www.instagram.com/asian_dub... 🇬🇧 Asian Dub Foundation are a genre unto themselves. Their unique combination of tough jungle rhythms, dub bass lines and wild guitar overlaid by references to their South Asian roots and militant high-speed rap has established them as one of the best live bands in the world. During their long and productive career Asian Dub Foundation have shared the stage with the likes of Rage Against The Machine, the Beastie Boys and Primal Scream also collaborating on record with the likes of Radiohead, Sinead O’ Connor, Iggy Pop and Chuck D. The story began in the early 90’s when ADF formed from a music workshop in East London at the institution which is their spiritual home, Community Music. Their unique beginnings in a music workshop in east London marked out both their sound and their wider educational aspirations, as showed by their early involvements with Roma Youth in Budapest, hooking up with the legendary Afro Reggae in the favelas of Rio, and setting up their own education organisation ADF Education (ADFED), not to mention their campaigns on behalf of those suffering miscarriages of justice. Building a solid live reputation in the mid-90’s, particularly in France, they eventually established themselves as an important worldwide force and particularly as an explosive alternative to the backward-looking obsession with Britpop in the UK. In addition to their blistering live reputation ADF were one of the first bands to experiment with the now more commonplace live film re-score, beginning with their rapturously-received interpretation of the French classic La Haine back in in 2001. They’ve continued to perform said project or nearly two decades, taking in David Bowie’s Meltdown at London’s South Bank and a controversial show at the Broadwater Farm Estate, scene of the events that led to the London Riots of 2011.They’ve also rescored George Lucas’ debut THX 1138 (with encouragement from Mr. Lucas himself) and they’ve recently revived their explosive live interpretation to the continually relevant Battle of Algiers at the Museum of Immigration in Paris. It was a busy 2019 for Asian Dub Foundation with the long-awaited reissue of their Mercury Prize-nominated 1998 classic Rafi’s Revenge. The reissue garnered ecstatic reviews, all of which agreed that the sound and the message that ADF threw down in 1998 is as relevant now as it was then-perhaps even more so. So it’s timely that in 2020 the band are set to release their 9th album “Access Denied” which finds them as uncompromising as ever. #AsianDubFoundation #RadioBubblegum #MoreSignalMoreNoise

“«Mi Religión» es una canción que habla sobre mi religión que es la música, el amor. Es una canción muy especial porque menciona uno de los primeros momentos en que me paré en un escenario”, compartió Lafourcade, quien grabó el clip en las icónicas calles de Guanajuato y San Miguel de Allende. Un video que ante la situación de distancia social se lee como una carta de amor para la esperanza de pronto volver a dar vida a esos momentos de alegría que tanto representan a México y a su cultura. Algo que Natalia no ha dejado de compartir en la cuenta oficial de IG de @UnCantoPorMéxico, en la cual la compositora da a conocer detalles del disfrute que vivió en el proceso creativo, humano y de producción que requirió un lanzamiento de esta envergadura. ¡Escucha «Mi Religión» en tu plataforma favorita! › https://Lafourcade.lnk.to/UnCantoPo... Dale me gusta 👍 y suscríbete 🔔 al canal de Natalia Lafourcade Ve lo mejor de Natalia Lafourcade en YouTube › Tú Sí Sabes Quererme (En Manos de Los Macorinos): https://www.youtube.com/watch?v=ABL... › Hasta la Raíz: https://www.youtube.com/watch?v=IKm... › Amor, Amor de Mis Amores (a dueto con Ximena Sariñana): https://www.youtube.com/watch?v=Jvo... Letra de «Mi Religión» Desde que vi tus ojos me enamoré Me enamoré Me enamoré Desde que oí tu canto sabía que No había manera De abandonarte, mi amor Porque toda la luz y colores De un cielo azul haces brillar Eres tú mi religión A veces me pregunto por qué me alejo De tu alegría, misterios e inspiración Siento un dolor, un amargo arrepentimiento Tú eres mi hogar La religión en mi existir Eres tú Música, tú Mi religión Una vida no basta Para entregarte mi amor Música, tú Mi perdición Una vida no basta Para entregarte mi amor Desde que vi tus ojos me enamoré Me enamoré Me enamoré En tu primer abrazo recuerdo que Mi cuerpo vivo Y temblorosa mi voz Porque todo en este universo Cobró razón En mi existir Eres tú mi religión A veces me pregunto por qué me alejo De tu alegría, misterios e inspiración Siento un dolor, un amargo arrepentimiento Tú eres mi hogar La religión en mi existir Eres tú Música, tú Mi religión Una vida no basta Para entregarte mi amor Música, tú Mi perdición Una vida no basta Para entregarte mi amor Música, tú Mi religión Una vida no basta Para entregarte mi amor Música, tú Mi perdición Una vida no basta Para entregarte mi amor Ay, me enamoré Ay, me enamoré Una vida no basta, lo sé Para darte todito mi amor Ay, me enamoré Una vida no basta, lo sé Para darte todito mi amor (¡Yija!) Natalia Lafourcade en redes › Facebook: https://www.facebook.com/NataliaLaf... › Twitter: https://twitter.com/lafourcade › Instagram: https://www.instagram.com/nataliala... Escucha más en la lista Música Mexicana › YouTube: https://www.youtube.com/playlist?li... › Spotify: https://smarturl.it/FiltrMXMusicaMe... #NataliaLafourcade #UnCantoPorMéxico #MiReligión Composición y Letras: Natalia Lafourcade Dirección y Realización Kiko Campos Mastering Engineer: Michael Fuller At Fullersound, Inc. Arreglos: Kiko Campos / Nando Hernández / Natalia Lafourcade Recorded by Rubén López Arista / José Luis Fernández Mixed by Rubén López Arista At Rubensplace Studio. Director de Video: Bruno Bancalari Realizador de Video: Juan Pablo López-Fonseca (C) 2020 Sony Music Entertainment México, S.A. de C.V.

From the self-titled debut album. https://daptone.ffm.to/theesacredso... Director/Producer: Troy Paul Bloom - www.troypaulbloom.com Director of Photography/Editor: Brian White -brian@apertrueproductions.com Follow Thee Sacred Souls Youtube: https://youtube.com/channel/UCSNECe... Spotify - https://open.spotify.com/artist/0oK... Instagram - https://www.instagram.com/theesacre... Facebook - https://www.facebook.com/theesacred... Twitter - https://twitter.com/TheeSacredSouls UPCOMING 2023 TOUR DATES: Apr 4 - Birmingham, UK - Hare & Hounds Apr 6 - Brighton, UK - Concorde 2 Apr 7 - Bristol, UK - Thekla Apr 8 - Manchester, UK - Band On The Wall Apr 10 - Rouen, FR - Le 106 Apr 12 - La Roche-Sur-Yon, FR - Quai M Apr 13 - Paris, FR - Trabendo Apr 15 - Cologne, DE - Luxor Apr 17 - Frankfurt, DE - Zoom Club Apr 18 - Munich, DE - Ampere Apr 19 - Berlin, DE - Hole 44 Apr 21 - Amsterdam, NL - Melkweg OZ Apr 22 - Rotterdam, NL - Bird May 26 - Napa, CA - BottleRock After Dark May 28 - Monterey, CA - California Roots Music and Art Festival Jun 2 - Ogden, UT - Ogden Music Festival Jun 11 - Pioneertown, CA - Pappy + Harriet's - Outdoors Jun 11 - Pioneertown, CA - Pappy + Harriet's - Outdoors Jun 17 - Manchester, TN - Bonnaroo Jun 23 - Greenfield, MA - Green River Festival TICKETS & INFO - https://www.theesacredsouls.com/hom...

“So We Won’t Forget” the new song by Khruangbin off ‘Mordechai’ out June 26 on Dead Oceans, in association with Night Time Stories. STREAM / BUY: https://khruangbin.ffm.to/mordechai Insta @Khruangbin Facebook.com/Khruangbin Twitter @Khruangbin https://space.airkhruang.com/ Ooooo One to remember Writing it down now So we won’t forget Ooooo Never enough paper Never enough letters So we won’t forget Call me what you want Call me what you need Words don’t have to say Keep it to myself Ooooo Every minute Every hour So we won’t forget You Don’t have to be silent Say to remind me So we won’t forget Call me what you want Call me what you need Words don’t have to say Keep it to myself Oooo Say you remember For I think I’ve lost it WIEDEN+KENNEDY TOKYO Director: Scott Dungate Managing Director: Ryan Fisher Head of Production: Kerli Teo Art Director: Kazuhi Yoshikawa Account Manager: Mai Ebine Content Producer: Ty Demura PRODUCTION COMPANY NAKAMA Producer: Kenji Lepretre Sato Production Coordinator: Simon Amar Production Manager: Shion Kimura / Yoshifumi Egawa Production Assistant: Yuta Shimizu / Koji Minoshima DoP: Kateb Habib 1st AD: Yu Inose 1st AC: Anthony Rilocapro 2nd AC: Yuji Suzuki DIT: Tomo Goshozono Gaffer: Arata Ijichi Best boy: Yoshitoshi Miyahara Light Assistant: Masato Iwabuchi Production Designer: Naoyuki Hashimoto (magenta wall design inc.TOKYO) Production Designer Assistant: Atsuko Hamano Plush Toy Designer: Kazuhi Yoshikawa / Atsuko Miwa (QUZE) Photographer: Nico Perez Chase Car: Luke Huxham (Huxham Creative Studio) Technician: Akira Rambo Driver: Kazuma Kakuta Drone Operator: Yosuke Suga / Takeshi Otao Picture Car: LA Company Transport: Takaaki Sugimoto (HORSE Location service) Equipment: Equip Tokyo / Eizo Service Casting Director: Eiji Leon Lee (FILMSTA) Stylist: Maiko Hair and Makeup: Mika Furukawa The Man on The Bike: Naoyuki Miyahara The Policeman: Uekichi The Daughter: Azusa Extra Cast: Kariya family / Yuji ishihara / Gonzo / Tomog Otsuka / Kinichi Suzuki / Shinichi Okayama Editor: Paul Hardcastle Lead Flame Artist: Jonathan Westley Colorist: James Bamford Sound Designer / Mixer: Anthony Moore, Jon Clarke Producer: Tatyana Alexandra (Trim Editing), Aoife Fitzgerald (The Mill, London), Lou Allen (Factory Studios) Triangle Inc.: Yuta Sagawa / Kazuma Kenmoku / Takahiro Toya / Hiroyuki Oshikubo baobab inc.: Osamu Sakai / Satsuki Sakai / Naoki Suzuki / Mayumi Masuda / Ayako Onozato Catering: bamboo forest kitchen / Akihiro Nagami / Kayo Nagami Special Thanks: Karasuyama City Tourism Association / Mimori Machine Works. / Joseph Tuzzolino Khruangbin - So We Won’t Forget #Khruangbin, #SoWeWon’tForget, #Mordechai

Stream The Album: https://Jah9.lnk.to/NoteToSelf The fourth and final music video from Jah9’s Note To Self album, "Could It Be", anchors the narrative that ties the body of work together. The release of the single is marked with the Jah9 - Note To Self Unplugged performance at Wanene TV, an online television platform based in Dar Es Salaam, Tanzania, this Saturday, May 23rd, which is also her Birthday/Earth Strong. The hour long broadcast will air at 12pm EST/ 5pm GMT/ 8pm local time Tanzania on Wanene TV, Jah9 and VPRecords YouTube page as well as streamed on Jah9’s Instagram page. Wanene TV merges multiple social media platforms together and creates a space where fans and viewers can feel connected to the creation of the content they are viewing by asking questions to artists/celebrities and enjoying a personalized show from the comfort of their own houses or mobile devices. In "Could It Be", Jah9 skillfully paints different images of herself, daring to ask as she does “Could It Be”, as if trying to find the core or essence of these different aspects. It wrestles, in many ways, with the overarching theme of self study by questioning the very fabric of what we come to understand as identity. Shot and directed in Jamaica, by Samo Kush I and Fernando Hevia, the video ties into the visual aesthetic of Note To Self as it follows her in various communal settings, contrasted by solitary moments where she is seen trying to consolidate her external experiences. The song is a soulful contemplation on the self, and the music video does well to mirror the contemplation with unique angles, intimate shots and smooth transitions. The visuals can be used in this time to meditate on identity, to study ourselves, and to prepare for the changes in paradigm that are taking place before our very eyes. “I delve into the nature of self; the way we are perceived by others, in contrast to how we perceive ourselves," Jah9 states. "With 'Could It Be', I was able to raise the age old debate; what is the true essence of the self? How much of who we are is a result of the environment/social atmosphere, and how much of it is who we truly are on a deeper level? These are just a few of the layers woven into this song," she concludes. Follow Jah9 Instagram: https://www.instagram.com/jah9onlin... Facebook: https://www.facebook.com/jah9online... Twitter: https://twitter.com/Jah9 #Reggae #Jah9 #CouldItBe #NoteToSelf

New album "Midnight Train" Out Now Stream/Download: https://SautiSol.lnk.to/MidnightTra... Written by: Sauti Sol Produced by Andre Harris and Sauti Sol Trumpets by Mackinlay Mutsembi Back Up voices by Lisa Oduor and Xenia Manasseh Mixed by Fancy Fingers and Mike Manitshana Mastered by Mike Manitshana at The Mix House Follow Sauti Sol: Facebook: https://www.facebook.com/SautiSol/ Instagram: https://www.instagram.com/sautisol/ Twitter: https://twitter.com/SautiSol INSECURE LYRICS She's so insecure, she don’t make love with the lights on So insecure, she don’t wanna talk about it no And I'm so insecure one day she'll leave me And she'll find another guy Who makes her happier than I Juu nikiwa maji Mi ni chizi Mi ni stalker Nakuhallaa When you're naked, I see Angels And I hope you see the same You’re insecure (eeeeeh) I’m insecure (aaaaaah) Oh baby you’re so insecure (eeeeeh) I’m insecure (aaaaaah) I'm so insecure, mi husomanga message ukiniachia phone So insecure, I'm never telling you about it Yeah Mi huenda swimmo na T-sho And you never leave the house with no makeup on But let's not talk about it (yeah yeah) Chini ya maji, si ni machizi Twachunguzana kipolisi And your body is a movie And I hope you feel the same But you’re insecure (eeeeeh) Woman you’re insecure (aaaaaah) Woman you’re insecure (eeeeeh) And I’m insecure (aaaaaah) Why are we still so insecure Don’t know what we're running from And I'm breaking, but before we crash and burn Hope we see the light, I hope we see the light Chini ya maji, si ni machizi Twachunguzana kipolisi And your body is a movie And I hope you feel the same Chini ya maji, si ni machizi Twachunguzana kipolisi And your body is a movie And I hope you feel the same I'm insecure (eeeeeh) You're insecure (aaaaaah) I'm insecure (eeeeeh) You're insecure (aaaaaah) #SautiSol #Insecure #MidnightTrain

From the 'Liquid Portraits' LP Vinyl/DL.Stream: https://fanlink.to/LiquidPortraits https://www.instagram.com/clap_clap... https://www.instagram.com/martha.da... https://www.instagram.com/the_black... Clap! Clap!'s music is a unique blend of global dance and timeless sounds drawing from nature, traditional music, field recordings, and the electronic savvy of modern centres like Chicago and London. At its core are the inspiration of everyday life, what Crisci calls "the search for new flavours," and a unifying narrative approach. The results are albums that play out like sonic movies. 2014's Tayi Bebba was a soundtrack tour of an imaginary island, and 2016's A Thousand Skies told the story of a young girl's journey through the stars. Following these albums, Crisci took a break from focusing on samples and composition to study sound dynamics and the science of mixing and engineering. He changed his studio and tools, putting more emphasis on the correct melding of analog and digital technology. His third album, Liquid Portraits, is a result of this process with a new compositional approach that puts a stronger focus on field recording and sound design to achieve clarity without diminishing the energy and enthusiasm of the music. As the name hints at, the album is a collection of sonic paintings, an attempt at capturing furtive, subconscious memories through sound. The tracks reference trips Crisci took and people he met - from southern Italy to Hokkaido via the Kif Mountains of Morocco - as well as more abstract ideas of loss, calmness, and childhood. Helped by a small cast of close collaborators - harpist Kety Fusco, singer Martha Da'ro, percussionist Domenico Candellori, and bassist Piero Spitilli - Liquid Portraits is a major new step in Crisci's evolution as an artist.

EP 'Nós' available now. Listen: https://smarturl.it/TikaMusic Nós (Tika/Clima) Seus joelhos tornozelos mãos Coxas nuca e cabelos vão Espichados enrolados derramados Amarrados aos meus Cotovelos sobrancelhas voz Olhos boca peito orelhas nós Agarrados embrulhados enlaçados Consumados em dois Noites de nanquim Em papel de arroz Tudo que tem fim Fica pra depois Nebulosas as mucosas tão Cor-de-rosa as mariposas vão Indo abrindo engolindo digerindo Consumindo a luz FICHA TÉCNICA DO CLIPE: com JOSEFA PEREIRA (mão) e TIKA baseado na performance HIDEBEHIND de JOSEFA PEREIRA roteiro FERNANDO COSTER, JOSEFA PEREIRA e TIKA direção e montagem FERNANDO COSTER direção de fotografia e câmera LUAN CARDOSO cor ZECA CALDEIRA after effects ÁTILA FRAGOZO e ROBERTO EITI apoio VALSA filmado em lisboa no dia 19 de junho de 2019 composição CLIMA e TIKA produção musical RODRIGO COELHO participação THIAGO NASSIF (guitarra) selo YBMUSIC FICHA TÉCNICA DA MÚSICA: Tika – Voz e Guitarra Thiago Nassif – Guitarra Rodrigo Coelho – Baixo e Synths Produção Musical: Rodrigo Coelho Participação: Thiago Nassif Engenheiro de Som: Klaus Sena Mixado por: Rodrigo Coelho - Estúdio YBmusic Masterizado por: Arthur Joly - Estúdio Reco-Master Gravado no Estúdio YBmusic – Maio/2019

Unofficial video for The Devonns' single "Blood Red Blues (Protest Song)" taken from their self-titled debut album. Get it here: https://bit.ly/Devonns Want more? Subscribe here: http://bit.ly/RKYouTube | http://recordkicks.com | https://www.facebook.com/thedevonns... About This Release: Chicago soul sensation The Devonns presents "Blood Red Blues (Protest Song)", the second single off upcoming self-titled debut album on Record Kicks. About the new single, singer Mat Ajjarapu states: "I wrote this song about my frustration with the lack of progress America has made on issues such as the Trayvon Martin case or the Sandy Hook massacre. It's like everyone here is mad about those things, but no one actually has any power to change them. When I wrote it… I had been listening to both Sam Cooke's and Aretha Franklin's version of a "A Change is Gonna Come," as well as "What's Going On" by Marvin Gaye. And I remember trying to imagine if Sam Cooke or Marvin Gaye could somehow come back from the dead and see how things had changed in 30 or 40 years, how might they feel? I think they'd probably feel pretty disappointed at a minimum". Straight from the streets of Chicago, Illinois, The Devonns (pronounced "De vaughns") are the brand new soul outfit and the latest addition of the Record Kicks' family. Their debut album is an assortment of influences taking us back to the heyday of soul. Drawing influences from bands such as The Dramatics, The Isley Brothers and Leroy Hutson, yet bringing in their own unique modern twist, influenced by artists such as Jamie Lidell and Raphael Saadiq; singer Mat Ajjarapu explains how unintentionally, the rich heritage of Chicago's history with soul music influenced him. The band started in 2016 after multi-instrumentalist and songwriter Mathew Ajjarapu dropped out of med school and found himself unemployed and drifting. Listening to music constantly at the time, he found inspired to put a band together and create his own music. Pairing up with some of the best musicians Chicago has to offer, he founded The Devonns: the rhythm duty is entrusted to Khalyle Hagood (bass), Ari Lindo (guitar) and Khori Wilson (drums).

from Piano Man Breeds Love http://stonesthrow.com/teethagency Jesse Hackett - vocals, piano; ESKA - vocals; Bullion - drums; Mariano Chavez - artwork, storyboard; Diamond McNabb - animation director. #teethagency #nolaughingnocrying

ROSALÍA & Travis Scott - “TKN“ (Official Video) Download & Stream "TKN": https://Rosalia.lnk.to/TKN Amazon - https://Rosalia.lnk.to/TKN/amazonmu... Apple Music - https://Rosalia.lnk.to/TKN/applemus... Deezer - https://Rosalia.lnk.to/TKN/deezer iTunes - https://Rosalia.lnk.to/TKN/itunes Spotify - https://Rosalia.lnk.to/TKN/spotify YouTube Music - https://Rosalia.lnk.to/TKN/youtubem... Follow ROSALÍA: Instagram: https://www.instagram.com/rosalia.v... Twitter: https://twitter.com/rosaliavt Facebook: https://www.facebook.com/rosalia.vt... Spotify: https://open.spotify.com/artist/7lt... Official Site: https://www.rosalia.com/ Follow Travis Scott Facebook - https://www.facebook.com/travisscot... Instagram - https://www.instagram.com/travissco... Twitter - https://twitter.com/trvisXX Directed by Nicolás Méndez aka CANADA Produced by CANADA in collaboration with The Directors Bureau MD/EP CANADA: Oscar Romagosa MD/EP TDB: Lisa Margulis Producer: Laura Serra Estorch Line Producer Los Angeles: Cristina Trenas Head of Production CANADA: Alba Barneda Head of Production TDB: Elizabeth Minzes Director of Photography: Stuart Winecoff Production Designer: Brielle Hubert Production Supervisor: Stephen Predisik 1st AD: Ferran Rial Stylist Rosalía: Samantha Burkhart Stylist: Chloe and Chenelle Delgadillo Choreographer: Charm La'Donna Make-Up Artist Rosalía: Ariel Hair Artist Rosalía: Jesus Guerrero Make-Up Artist: Rasheeda Raines Casting: Sarah-May Levy Editor: Nicolás Méndez / Carlos Font Clos Post Production: Álvaro Posadas / EIGHTY4 Color Grading: Michael Rossiter @ The Mill Post Production Producer: Marina Martínez Campomanes #ROSALÍA #TRAVISSCOTT #TKN

Alfio Antico - Menza Sira Con Lydia Giordano, Irene Girotti e Gretel Juncos Regia di: Giuseppe Lanno Fotografia di: Simone Tacconelli Realizzato da: Melqart Prodotto da: Ala Bianca Spazio di Alessandra Benatti, a cui va un ringraziamento particolare. ISRC: ITOOJ2000126 (C) & (P) 2019 - Ala Bianca Group srl _______ 🎧 Ascolta "Menza Sira": https://open.spotify.com/track/70dL... Iscriviti al canale: https://goo.gl/nnMdSa

EXU CIBORGUE (DJ Dolores - Nego Freeza) Exu Ciborgue Na encruzilhada Comandado por Ogum Tambores digitais Tremendo o chão Soando o grave Como trovão De Xangô Eu vim pra guerra Quero justiça Cada um colhe o que plantou Há quem diga que se colhe O que ontem foi plantado Que nessa vida se paga Cada erro do passado Eu sou nagô Yourubá Tenho Iansã Pra me vingar