![Album Review: Seun Kuti & Egypt 80 – Black Times [Strut Records; 2nd March 2018]](http://www.rhythmpassport.com/wp-content/uploads/2018/05/seun-kuti-black-times-335x335.jpg)
Black Times opens with warm congas, followed by afro-typical cyclical riffs on the guitar, layered with repetitive female chorus, the introduction of bass and full drum kit, then a short break before bursting full power back into the groove – this time with an added horn section of trumpet, tenor...
Tag Archives: Afro-Funk
![Album Review: Antibalas – Where The Gods Are In Peace [Daptone Records; September 2017]](http://www.rhythmpassport.com/wp-content/uploads/2018/05/antibalas-335x335.jpg)
Among tall skyscrapers, basketball courts, and yellow cabs rushing through the streets of the Big Apple, there is a twelve-piece band that holds high the banner of afrobeat well outside the borders of West Africa. They are Antibalas (Spanish for bulletproof); the horn-driven, afrobeat supergroup from Brooklyn, NY, founded by...
Tony Allen and Amp Fiddler come together for a live collaboration in London’s Ghost Notes on Thursday 10th May. Two masters of their fields, Tony Allen is one of the most renowned and decorated jazz drummers to have lived fusions with Detroit’s funky Amp Fiddler for a night of danceable,...
Sean Kuti and the Egypt 80 continue the vivacious afrobeat legacy of Nigeria whilst performing tracks with social commentary in high-energy Afro-jazz-funk performances, live in London at Stanley Halls on Friday 4th May. At the age of 14 years old, Sean Kuti stepped into the tremendous shoes of his father –...
Preview of the album: Track List: 1. SOJA – Tried My Best [from Poetry in Motion; ATO Records] 00:00 – 02:589 2. Ebo Taylor – Krumandey [from Yen Ara; Mr Bongo] 02:59 – 06:01 3. SUPERSAN feat. Lola Porfirio & P-Gial – Mira Quente (Captain Planet Remix) [from Half Man...
They say that it won’t save local music shops or independent labels, but for a day they’re finally and deservedly the centre of attention. That’s why Record Store Day has had and is still having a positive impact on the music scene, whatever its genre. For the 11th year in...
Here is a South African band that is taking the music world by storm. Far from being freshers on the African music scene, BCUC (or Bantu Continua Uhuru Consciousness) have only recently started to enjoy the well-deserved hype around their name and magnetizing sound. On April 10, they will take...
<span data-mce-type=”bookmark” style=”display: inline-block; width: 0px; overflow: hidden; line-height: 0;” class=”mce_SELRES_start”></span>&lt;span data-mce-type=”bookmark” style=”display: inline-block; width: 0px; overflow: hidden; line-height: 0;” class=”mce_SELRES_start”&gt;&lt;/span&gt; View Irmãos Makossa bio here “This mix is the reflection of the work that Irmãos Makossa have been doing for the last 10 years in Portugal, which is showing...
On Thursday the 22nd of March, Mulatu Astatke, widely known as the ‘father’ of Ethio-jazz, comes to the Barbican for a solo show alongside guests Fatima & Eglo Live Band, Ruby Rushton and Seb Rochford (Polar Bear). Whilst credited with inventing the genre of Ethio-jazz, it has still taken over...
![Album Review: Welcome to Zamrock! Volume 1 & 2 [Now-Again Records; June 2017]](http://www.rhythmpassport.com/wp-content/uploads/2018/03/welcome-zamrock-335x335.jpg)
As Gleb Anfilov put it, our planet has always been a giant atelier of music creation, of instruments, songs, and also an immense concert hall. The history of West African music and of mid-20th-century rock in particular, as is the subject of this review, is of this planet and both...